It was inspiring to go through Mosca’s catalog and just get enveloped by it. A search of his past interviews will show a focus on releases such as the Square One EP (Night Slugs), The Wavey EP (3024), and Tilt Shift (Fat City). In this interview, Mosca gives some sound advice for young producers, and chats about his new “Eva Mendes EP” set for release on Hypercolour this month. 

DD Hi there Mosca, thank you for stopping by Disco Droppings. What are you doing right now? 

M I’m on my way to a rave in Edinburgh then off to Helsinki. 

DD You’ve created some astounding tunes, I won’t go back to these releases, but one thing I want to chat with you about is mindset and individuality. For all these young producers, who are genuinely interested in establishing themselves and contributing to the world of music, how would you challenge them? Many of the artists I’ve featured on Disco Droppings have incredible potential, and could learn from your perspective. 

 M I would say that the internet is a blessing and a curse. You know about the upsides, but it also means a trend is in one month and out the next, and it’s easy for people to send stuff they want you to hear, and write about the next big thing. It’s easy to get sucked into all that and I see people making identical music and playing identical sets. My advice would just be concentrate on music you love. So once you’ve read this blog, stop trawling blogs, stop facebooking, just immerse yourself in your own world of music. Put the time in.

DD In honor of this feature, i’ve included your “Sing” remix, “Nike (Club Edit)” and “Square One” in my upcoming 2 hour set on Cinco De Mayo. Many people in the audience may be hearing futuristic/unconventional club music for the first time. Do you remember playing specific shows where the crowd knew they were hearing something fresh and were ready for you to take them somewhere new?

M Generally the dances where the crowd doesn’t know the music are the dances that I clear floors at. It’s a slow process and maybe not as romantic as you’re making out! 


DD I’m hyped on your forthcoming Eva Mendes EP for Hypercolour this month. Disco Droppings interviewed 214 aka J.Alvaraz, who has a forthcoming release on Hypercolour. Also, the Maya Jane Coles Essential mix from last year has been played sooooo many times in my car, I love sharing it with people. What do you find most inspiring about this label/group of artists? 

M They know they don’t have to be Jamie Jones to get on in the house world.

DD Incredible that you worked with Robert Owens on “Accidentally”. This new Hypercolour release seems to cover the past, present and future of house seamlessly. Do you feel that?

M Robert Owens isn’t the past of house music. He’s as active now as he ever was, with DJing and performing as well as recording. I would say that yes, the EP is something along the lines of the present state of house music, but nothing more. There’ll be a lot more house from me, some deeper stuff, some techier stuff, as well as all the other genres I’m into.


DD Will there be a “Eva Mendes” EP launch party and tour on the way? Any plans to make it out to the west coast? Seattle would love to see you!

M I’m constantly playing shows so a tour is always happening, I’m always testing new Mosca material that people don’t know is me yet. But no plans for an Eva Mendes tour or anything stateside for now.

DD Last words?

M Nah I’m fine thanks!

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– Jimi Jaxon