Archives for posts with tag: Electronic

 

Perfect time for reflection. In case you missed it, we had Disco Droppings first release a few months ago. “MMXV”, Free 7-track + mixed version from Sphyramid. Was able to get some of our friends behind the video, artwork and tunes to share their perspectives..

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Sphyramid, Producer

DD Knowing and working alongside you over the years, this seemed to be your most involved project so far. There were many elements coming together over what ended up being 6 months or so. Now that some time has past since the release in October, how do you reflect on it all?

SPH Well the whole thing is pretty coincidental, it started as a single track and video (Loud Enough). I didn’t have a computer at the time but my roommate was going to Mexico for a month which gave me the opportunity to use his computer to record the rest of the release.

This collection of tracks represents a huge release of negative energy. My father passed away in January of 2014, then I experienced an intense process of betrayal and forgiveness between a lover and a close friend the following October. then in April of 2015, I quit my food service job that I once loved but had become a personal hell. Somehow being driven to my most extreme state of overwhelming despair gave me the courage to look at my self and make that jump to being a creative professional. As soon as I left that mental and physical space of loathing to focusing on my art I received more and more opportunities. I started the video project with Tucker and put the call out for people to help. All of a sudden I realized that I had this huge crew of supportive, loving friends and fans.

I basically spent the remainder of this year fine tuning the tracks, getting them mastered, and corresponding with Alden for the artwork. Now that we are approaching the end of the year its fitting that we look back on “MMXV” because that is exactly what I named it (roman numerals for 2015). This might just be post rationalization, but this project was like some kind of offering to the gods, a sacrifice or something. It’s like saying, “Here take this darkness, I don’t need it anymore. But it has served me well.”

Next year I would like to re-release it as “MMXVI” (2016) with as many vocal edits and remixes as possible. But until I find all my vocalists and get that recorded I will continue my research and development for my next project. “MMXV” was like therapy, but it was also just a snapshot of a year in my life, a collection of ideas that happened to fit together. My next project will be a more cohesive concept album focusing on some more positive and playful feelgood vibes, I think I have earned it :]

 

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Alden Lee, Artwork

DD I was impressed with some of your previous pieces, and pleased to have you on board for artwork. How do you go about creating, and how was it being involved with this project?

AL I sift through magazines looking for anything that catches me eye and cut them out, and those cut-outs go in a bin. When I make something new I spread out all the paper pieces on the floor and see if any of them look good together. If they do, then I add more pieces and go from there.

It was a lot of fun contributing to the MMXV release. The design was inspired by some stills of the video shoot, and I wanted to make something that could key into those mystical and occult elements.

 

Tucker Grindstaff, Video Director

DD I remember being a small part of one of the shooting days for “Loud Enough” over in Everett earlier this year. You were noticeably apt at guiding a sizable group of people through the different scenes in a calm, upbeat way. What did you take from this whole process?

TG The “Loud Enough” video shoot was a party in a bedroom of Sphyramid’s house with all of his friends who were there to have fun, dress up, and get absolutely crazy. All I had to do was tell them when to party in the bedroom and when to eat tater tots to go with their champagne. I couldn’t have done it without my production team, especially Alexander Vincini and Adam Bagley who helped tremendously in wrangling the crowd; really my job was just ensuring that people knew there were tater tots to eat and where the tots were. The end product showed the fun and ‘maniacally smiling from the shadows’ vibe that drew me to Sphyramid’s music in the first place, and in the end I think it was a lesson in how to create an atmosphere that mirrored the artist’s intention. Really though, those tots took it to another level.

Sphyramid – Soundcloud Facebook

* Thanks to Lealia and anyone else that was a part of this project and was not mentioned.

– Jimi Jaxon

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For my first interview of 2015, I talk with Newaxeyes. We’ve become friends recently, and I wanted to share their mindset and energy both on the site, and at our monthly “Disco Droppings Presents” where they will headline this week. The band has donated some gif previews of their visuals, which you’ll see spread throughout the feature. Alright, let’s drop in..

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DD Whatsup Newaxeyes. I feel we have been drawn together for a reason. I connected with your diverse style, and willingness to push things. Happy to have you headlining “Disco Droppings Presents” at Kremwerk on the 19th.

NWXYS Thanks very much for having us. We’re thrilled to be a part of it.

 

DD It’s definitely been a trip for me, spending more time with your music. You guys have mentioned trances, how do altered perceptions play a role in your art?

NWXYS We generally seek to create sounds that reach the listener at a sort of pre-intellectual level, so that there’s less interference going on and the music can be taken in more directly. When we are at our best is when we feel more or less “entranced” and when we are letting the music happen in its own way, without the constant real-time analysis that can be poisonous to a piece.

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DD We’ve both been placed on a variety of music bills, where have been your favorite environments so far?

NWXYS We love to play with hip-hop beats people, psychedelic rock bands, modern composition types, performance art groups, harsh noisers, you name it. From the outset, we have always wanted to fluidly interact with a broad spectrum of styles and genres to carve our own chameleonic sound, so we’ve been happy to be invited to very disparate sorts of bills. Even better is that we tend to be received well by diverse audiences, maybe offering something atypical and challenging to the environment.

 

DD In addition to the music, I’m intrigued by your visual element. Tyler’s Instagram for example, definitely see an eye for catching things. And the logos and artwork you use work super well. Is this a group effort or do certain members of the band focus here?

NWXYS We all met more or less through our time at Cornish College of the Arts (Bret wasn’t a student but it sometimes felt like he might as well have been). Will was the only music student – Tyler was a photo/video art major and Jordan was in for graphic design. So it’s very natural for us to shape a visual aesthetic concurrently with the music. We’re lucky in that between the four of us we have the skill set to handle pretty much every aspect of the project. Tyler creates the majority of the photography and makes our videos. Jordan makes the logos, website, and most posters.

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DD Where have your most impactful inspirations for Newaxeyes come from?

NWXYS It’s all over the place. When we started out, we were listening to a lot of Oneohtrix Point Never, Death Grips and Demdike Stare – electronic-oriented stuff that tends to be simultaneously physical and cerebral. But we all have such eclectic tastes and personal influences that it would be difficult to answer generally. From a non-musical standpoint, we are all fascinated by data, the societal effects of the Internet, and forces of power and influence hidden from public view.

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DD Lastly, how would you describe your upcoming live set alongside Sphyramid, Raveghost, Dream Beat, David Comito and I?

NWXYS We have this super inconvenient habit of writing new material and reshaping old stuff until pretty much the day of the show, so that’s a bit hard to answer. We’ll be playing some bangers though. Being that it’s Kremwerk and Disco Droppings, we’ll possibly lean more heavily on dirty dark dance vibes.

 

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Newaxeyes – Twitter Soundcloud Facebook

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– Jimi Jaxon

 

What an honor to have Sam Frank on Disco Droppings. I feel so much energy and drive coming from this man. Enjoy the interview, and make sure you get the incredible “Anticipate” release on Beatport 

 

INTERVIEW

DD The other day I sent Skream a message on Twitter saying “Skream is the James Bond of Dubstep”, he retweeted it saying “lol”. That was huge to me! With the “Anticipate” single out on Skrillex’s label OWSLA, how are you feeling? How has this song influenced you?

SF Feeling great about it coming out on Skrillex’s label and on Tempa through Rinse. Both are really great labels to be part of. The song is one of many colab tracks with Skream, Benga and the Magnetic Man set but it has a special resonance for me and Skream too as it’s all about our kids. Apparently it made Skrillex cry!

 

DD I listened to the BBC xtra live show recently and heard your performance with Skream, sounded unique! How was it on your end? Nero sounded massive.

SF It was a really fun gig and a marvelous opportunity, although by the time Nero was on I was half way down the M1.

 

DD The emotion coming through your voice on tracks like “I’m Not In A Rush” reminds me of Daft Punk’s Discovery. You’re swooning me!

SF Is that a question? Well, thanks for saying so. Daft Punk also did some cool things with vocal effects although I’m not in any way trying to be a follow up to their sound.

DD What’s the most challenging aspect of your work as Sam Frank?

SF Juggling songwriting, gigs, track production, vocal production, string arrangements, A&R meetings, mixing, remixing, staying on top of the latest software, paying the bills and being a dad and a husband.

 

DD Are their certain themes within your lyrics that you want to explore more in future productions?

SF Yes. The inevitable rise of technology interwoven into every possible moment of our everyday lives from tooth brushing to dream recording. I read the New Scientist a lot.

DD What helps you relax?

SF Not allowed to tell you that.

 

Support Sam Frank on Soundcloud Twitter & Facebook 

– Jimi Jaxon