Archives for category: Interviews

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Crafting some of the sassiest and most memorable mixes I’ve heard in a while, and looking damn good doing it. It’s time to turn up the heat on Disco Droppings, Joey LaBeija is in control. In this interview we talk about his House of LaBeija family, influence, how his mixes come together and his connection to the CuntMafia Warehouse parties in New York.

 

DD You are a part of the House of LaBeija, the first voguing house ever started. You are also the only DJ in this crew. As ballroom and vogue culture continues to spread, you seem to be in an ideal central spot. How would you describe the house, its significance and your role in the whole thing? 

JL Being a 4th generation LaBeija has been a blessing. Everyone in the house is so loving, supportive, goal oriented and driven.  One of our LaBeija mottos is ‘we are a family first and a ballroom house second’. Every single one of us, even our Father Tommie, has a hustle and a struggle and it feels really comforting to know that we are all in this together. The house was quiet for a while in the ballroom scene, and as members of the house, we are all doing our thing to make sure everyone knows WE ARE BACK.  I got inducted to the house shortly after my first international gig in Tokyo. I knew that my life as a DJ was slowly but surely about to grow, and I wanted to do it in the name of LaBeija, helping bring the name back to the forefront in and outside of the ballroom community.

DD What has influenced your style as a DJ? 

JL I am not much of a voguer, I only vogue when I’m turnt up with my boys smoking blunts at the crib or when I come out the shower feeling soft-n-cunt. Ballroom music is just a fraction of what I like to play…I think growing up in New York has influenced my style as a dj more so than anything. Growing up here I was a floater, never really hanging out with one specific group of people. I went to school with guidos, hung out with punks on St. Marks, cruised for trade with fags on The Pier, and smoked L’s and drank Korbel with my ratchet bitches on the block.  Each crew had a completely different influence on me musically and I think it shows a lot in what I do.

 

DD In addition to an obvious gift with music, you have really rad style. I don’t really have a question about your style, but I just want to commend you on looking fucking awesome all the time. 

JL Thanks boo ❤

DD I enjoy the names of some of your mixes, such as “Tales From The Bedroom” and “Good Sex & Night Terrors”. Do you often think about themes when pulling together your track lists? 

JL Going into a mix with a theme in mind is really important to me. I like to think of those mixes in particular as pages from my journal because they tell a little bit of a story. I didn’t pick tracks for either of them…I recorded them live and played strictly off of my emotions. The titles came to me after listening to them. I wanted Tales From the Bedroom to be a panty dropper mix; something you could listen to while gettin yacked by your [in]significant other. Good Sex & Night Terrors is my favorite..for me, it is story about how much of a nightmare it can be balancing your hustle, loving a dude and being a bad bitch which is exactly what I was going through while recording it.

 

DD I read in a past interview that you’re planning to expand your friend CuntMafia’s Warehouse parties in New York. These look extremely diverse in terms of the crowds you attract as well as extremely successful in general. How is that coming together? I hope you guys come to Seattle, I’d love to help in any way!

JL Contessa and I are always curating something crazy. Me her and my best friend Shawn Leigh had a great success with our monthly party ‘Iconic’ this summer. I decided to pull the reins on it for a plethora of reasons, the main one being none of the venues really felt like home, which is why we moved the party around every time. But when we find the right home we will bring something back to life for sure. Throwing warehouse parties involves a lot and can be really difficult when you don’t have a rich white man fronting/investing the money for you like other warehouse parties here. Thats why I respect Contessa, she may be wild as fuck and will rage on you like no other, but all of her success is self made and self invested. She’ll take a struggle over a stack of cash any day cuz she’s ACTUALLY about that life.

DD What artists have you the most hyped right now?

JL GIRL!. There has been so much good music coming out recently it’s almost TOO much to handle. I’m really loving everything coming out from Fade To Mind right now. That Kelela Album is has been my bible since it dropped. Kingdom’s Vertical XL is genius, and I’m like crying in anticipation of NguzuNguzu’s new ep coming out. Don’t get me started on Drake’s NWTS…that album has me slow winding for hours at end. 

DD Any last words?

JL For booking inquiries contact: JOEYLABEIJA@GMAIL.COM

 

Joey LaBeija – Soundcloud Twitter Facebook Tumblr

– Jimi Jaxon

 

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It is a special day here on Disco Droppings. I love a good challenge, and when I got the OK from Abby Martin for this interview I was elated and a tad intimidated. This fearless investigative journalist and artist has been on my mind daily, for her brilliant work as host of RT’s Breaking The Set. She has been instrumental in opening my eyes to a struggling world. From the NDAA to drones, Bradley Manning and Wikileaks, there is no issue that Abby is afraid to tackle. I feel empowered, highly aware and motivated to expand my horizons as an artist and human being, thanks to her tireless efforts. I’m excited to see how my work as Jimi Jaxon will evolve to include topics beyond just music, and Abby Martin is a perfect conduit for this.

Here is a wonderful and well said exert from her bio..”Whether reflecting on the natural world or the manmade world, the awakening or deadening of consciousness, cultural controlling dichotomies, the power of the mystic and all that is unknown, the condition of the social, the construction of the economic, or the corruption of the political, Abby’s work displays an intense passion for life and her deep desire to engage others in her vision.” 

 

DD When did you first begin dreaming up a show like Breaking The Set?

AM My friends and I started a proto RT type internet show about five years ago, before I knew anything about RT. We put together mini documentary investigative pieces on the same types of issues that I am covering now, and when that fell through from lack of funding I started my own media project called Media Roots that continued to cover tHhe same issues. Once I got hired at RT, I was finally able to put my passion about the issues into fruition. The concept of Breaking the Set had always been there, it was just a matter of getting the resources together to make it happen.

DD How do you feel about the scope of your work, and how far it reaches? Are you ever discouraged by stats/views that are lower than you wish, or do you trust that at least the material is available for people to take in as they find it?

AM I am always striving to be better and to reach more people with the information. But as far as the stats, it’s almost impossible to know really how many people I reach because the information is available in so many different avenues–cable, live on the internet, Hulu and Youtube. Actually counting the audience numbers is almost impossible, but every day I get at least one positive message of feedback from someone in the world who is watching, which makes everything I do worth it.

 

DD When you see examples being made of people exposing government corruption, do you consciously walk a fine line with your platform on BTS? Are you wondering where the walls are, where the limits are now with free speech?

AM Not at all. People ask me every day if I am worried to say the things I do in the way I do. The thing is, it never even crossed my mind to be. I have always spoken the truth as I see it, and I will continue to, no matter how bad things get. If I get taken down or made an example of for simply practicing my first amendment rights of free press and free speech, than we have really passed a threshold of no turning back in this country. This job and the things I try to bring attention to are much bigger than me and my life, so fear is not an option. That’s exactly what the establishment would like, and the chilling effect is exactly what this crackdown on the press is designed to do.

 

DD I want to highlight the team behind Breaking The Set. What is your crew like?

AM The show consists of four people in total: my line producer who times me out and makes the show visual. She is the badass working behind the scenes to make sure the show actually happens and airs. Then there are my two other producers Manny Rapalo and Ameera David. We advise on everything together–they really are rockstars, and I am so lucky to have such talented and passionate people on my team sharing my vision for the show and constantly striving to help me make it better. On any given work day, I don’t come up for air or even have time to get lunch because I have to make sure I have the entire show ready to be taped live at 6 pm EST and then immediately when it’s over I need to start preparing for the next day. It’s quite difficult to never be able to chill after taping because there is always the stress of what is the next day going to look like. And it also sucks to have the pressure of doing everything live because I am never entirely happy with my performance, and you only get one shot to make it right, which sucks.

DD What helps keep you focused and positive, when constantly researching and confronting difficult issues all over the world? I think some people are afraid to look into the news, feeling overwhelmed and powerless. There was a time when I ignored the world around me, and looking back into it (thanks to you especially) was extremely draining. Now I would say that I’m happy to be more of a world citizen, that isn’t solely wrapped up in my own life. 

AM This is the eternal challenge for a lot of people. I really think surrounding yourself with people who inspire you and don’t drain you is key to being content and happy with your own life, and you need to be before you begin to take on the rest of the world’s problems. For me, it’s really about finding the balance. I try to do a lot of art and get into nature as much as I can to center the insanity and stress. But I would be lying if I didn’t say I struggle with depression from constantly researching horrific and tragic topics on a day to day basis. At the end of the day, I think information is power, and enlightenment is about opening yourself up to the bad and good of everything in life. Being aware is a beautiful thing, it’s just about how you choose to channel that awareness and bring your perspective into the world. Don’t be afraid of the truth, embrace it and then focus your energy on how you can work to change just a small part of the world. Be the change you wish to see, while being a kind person to your fellow human beings. Because at the end of the day, that’s all we can ever really do.

 

DD Do you still find time to work on your graphic art, paintings and such? I bring up this area of your life, as some people just see you as a journalist.

AM Unfortunately I have such little time to myself that I don’t do nearly as much art as I would like to. But I still try to create some at least every week or so. It keeps me sane, and it really helps to tell stories and display emotions I could never verbalize on my own. The art is my conduit to do so. Right now, I am putting 150% of my entire being into the TV show. But I know art will take a more prominent role later in my life. I think finding some form of self expression is essential for every human being on earth.

Abby Martin – Facebook Twitter

abbymartin.org

Breaking The Set – RT Hulu Facebook

– Jimi Jaxon

 

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Lately, I’ve been keeping tabs on Ghostek. What he’s been creating and who he’s been working with. I started with his label, March’85 and their debut compilation, Tracks 4 My Mom. From there I’ve soaked in his productions, with their sharp rhythms and looming atmosphere. I’ve spent a lot of time mixing “My Lady” off his Easy Changes release. So far, this is my favorite Ghostek track, filled with slick movement and shuffled excellence. I enjoy connecting Disco Droppings to my artist work, giving the music I love a platform online, as well as in a live setting. Ghostek and March’85 are featured in my exclusive Bottom Forty Mix, which was recorded at Vermillion in Seattle, this past May.

 

I’m honored to share this talk I had with Ghostek. I hope this interview inspires, while also giving insight into the mind of this relentless force..

DD Hello Ghostek. Very happy to have you here on Disco Droppings. How are you doing?

GH Hey mate, I’m good. Bit busy as always.

DD This forthcoming collaboration you did with VVV called “Flashing Light” on DPR Recordings is rad. Can you give a clue into the release date? Also, I went over to VVV’s Soundcloud to get feel for his style. I was swept away by the depth and emotion of his productions. What attracted you to him for this collaboration, and what did you guys learn from each other through this process?

GH Shawnin (VVV) is a nice guy and I like his productions as well. Been following his music long before we started working together. And I’m so happy we made it. As for the release date  of ‘Flashing Light’, not sure atm, so I won’t lie. What I really like in working with Shawnin is that he’s quick on production. This is really rare thing, I know a few more guys that are as fast as VVV.

One of them is Sorrow

 

DD The debut release from your new label March’85 is solid. The diversity of sounds that still work cohesively as a whole is very admirable to me. I’m especially fond of Ed Motion’s “Everyday”, Arctic’s “Kings” and Atlus’s “Apophenia”..

GH I’m glad that you like the release, but I have a feeling that it is left a bit underestimated. There’s so much good and versatile music in it. It took long time to collect all those tunes. But it was out when I had some rough times, so I couldn’t spend enough time on promo and stuff. That was a mistake. But apart from it, I think this is one of the best things I took part in. And much love to everyone who supported the compilation! Special thanks to Olga Kalitkina and her mom for the photo and the artwork!

I hope to release more good music with March’85, but I’m too focused on preparing releases for Square Harmony atm. And I’m just trying to get the whole machine working properly. When it is done, I hope the releases will come more often and more regularly.

 

DD I’m also wondering about the time spent in each area of your artist life. Between your own productions, remixes and label managing does one area dominate the others? Are there times when one side has all your attention, and other areas take a break?

GH It is all simple. It differs from time to time. Everything is about inspiration, you know.

DD One release of yours that I absolutely love is the Leaving For The City of Saints EP. I feel a strong spiritual and expansive pull with this release.

GH Thanks man! I think this is one of my best releases so far. I was full of thoughts and ideas at that time. It was just before I was moving to Saint – Petersburg. Had a great time with my family despite all the problems.

DD What significance has becoming an artist played in your life? What kind of evolution have you noticed in yourself, comparing who you were pre-music making and after?

GH That’s a good question. A lot of things changed since then. Now I see everything through the prism of music. I’ve managed to connect all my life with music. Nearly all of my friends now are musicians or good music lovers. Music was around me since childhood. But it was a difficult decision leave everything behind and become a producer. It was a breaking point for me. But I don’t regret anything. If I had another chance, I’d have chosen the same way.

 

DD You did an interview with Katipo Audio recently and mentioned that you’re working on a sample pack. Seems like a fun idea.

GH Yeah, that sample pack is finally out. It was a huge work, but I’m pretty happy with it. And I’m glad I was given that chance. Thanks to Samplephonics for that.

Hope that people will find it useful and inspiring!

DD Any last words?

GH Want to say thank you to everyone who supports me and all the good music. It’s you that keeps it alive!

 

Ghostek – Facebook Twitter Soundcloud Discogs

– Jimi Jaxon

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When I listen to Phon.o, some wonderful things happen. The stable, confident sense of rhythm invites me to move, and the emotional vulnerability calls for a deeper experience. His productions meld with my sensitive personality and my desire to feel something real. It’s a combination of approaches that I find most impressive, and this man has it down. We talk about his newest release on 50 Weapons (Modeselektor’s label), his thoughts on channeling emotions as a producer, his free Live Pack for Ableton and my favorite track of his, “Fukushima”..

 

DD Hello Phon.o. Thank you for taking time to talk with me on Disco Droppings.

P.O Hi Jimi. 

DD You have a new release on 50 Weapons. It’s a nice balance between the dark, emotional “Schn33” and the more fun, upbeat “Go”. What goes into choosing which tracks get released? Did you know these were the ones you wanted to put out, or was it more of a collaborative effort with Modeselektor (heads of the label) sorting through a lot of your productions and deciding these were the ones?

P.O When I work on songs, I leave the sketches for several days and go back to them to check if they’re worth arranging into a full-length. In this case I was very happy with these tracks and was sure they’d come out great if I arranged them well. So in the end, I did these 2 songs and gave them to Modeselektor. They liked them immediately which was great. There were just a few hints Gernot gave me concerning the levels of the rides in “Schn33”. But that was all he had to “criticize”.

 

DD My recent feelings of loneliness and introspection have helped me connect to your “Black Boulder” album. It sits right between coldness and things shifting towards the positive..

P.O Somehow, I am always suffering when I am doing music, because I think “oh damn… that’s not good enough” or “is it worth releasing?” and so on. I guess this kind of fight with myself has an affect on my music. It’s a good and necessary struggle you find yourself in as a musician. I love to make songs and not just tracks especially for an album. That means I always use melodies or harmonic progressions to create songs. And for sure, I love melodies :] I need to get an emotional moment in the studio while I am working on songs. I can’t just do a rhythm. It would be boring for me.

 

DD I’m really enjoying the sounds included in your free Live Pack for Ableton. You mentioned in your Ableton interview that about half of the sounds used in “Black Boulder” are included here. Some artists can be very protective of the sounds and samples used in their tracks, what to you is the benefit of being more open-handed?

P.O Yes, it’s true that a lot of artists protect their samples. I don’t understand, because with drum samples you can’t make songs or create impressive ideas. And that is what matters in the end. I see the drum samples just as a tool and I am happy if people can use a sound here and there. I was never interested in creating a blue print sound for myself. I just do what I like and if people come afterwards and tell me that it’s a typical “Phon.o sound” I am happy. I guess this comes how I do the songs, the beats and how I mix them at the end.

 

DD I opened a recent set of mine with your track “Fukushima”. It is refreshing to see dance music reflect society as this track does. The emotional and dire intensity you’ve created, matches the real life events surrounding the title. Was this a deliberate connection? 

P.O When I did the sketch for this song this big disaster was happening at Fukushima. I just saved the project with “Fukushima” as a working title. Months later I opened it up and realized that there was some drama going on and that the name fit really well. I added the sample “save me” to emphasize this dramatic feeling of the synths and it was done. I am a political or better yet quite critical person, but I don’t often put political content in my music. Here and there but not too often.

 

DD What do you hope to accomplish in the remainder of 2013?

P.O I start working on my album after my holidays and hope to finish it in autumn. Besides that, U am working on a great project with a singer and musician called “Born in Flamez”. I am doing co-production for it. It’s very interesting to me, because its musically very different and more arty. I will learn a lot.

 

Phon.o – Facebook Twitter Soundcloud

50weapons.com

– Jimi Jaxon

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My dude Arctic is on the attack. Some may remember past features here on James Arctic. He’s shortened his artist name, and is showcasing some impressive, dark new sounds. He’s got a fantastic release on Coyote Records called the Shook EP which features two tough grime tracks and a remix by Kid Smpl. Hear from the man himself in this new interview for Disco Droppings..

 

DD Feels strange to say, but it’s been over a year since I last talked to you on Disco Droppings. Welcome back.. 

A I know, time has flown. Great to be back, always a pleasure mate.

DD Your Shook EP was on June 3rd. Look at you dude! First I see “Kings” in that Tracks 4 My Mom release, and now this EP. It makes me smile seeing my friends such as yourself pushing out and doing shit. How are you feeling about it all?

A Thanks man. I was stoked to be a part of the Tracks 4 My Mom comp. The “Kings” track was receiving a great response when I first made it (over a year ago now), but nothing much came of it, so when March’85 hit me up I jumped at the chance…It’s a great home and fits really well in the compilation. The Coyote EP is a real proud moment. Having my music pressed on wax has been a goal of mine for a while and seeing it all come together alongside an amazing back catalogue is such a great feeling. Tom @ Coyote has fully supported my music from the get-go and the whole experience has been a pleasure. 

DD You are really into Grime, a style of music I’m not too familiar with. How would you describe Grime and how has it influenced your new EP?

A What attracted me to Grime music back in the day was the old school clashes – the rawness & energy behind the productions and the hype between mc’s sending for each other. The sounds were unpolished, the quality didn’t necessary have to sound good, which I feel made it exciting & unpredictable to listen to. I like to think that comes across in my productions also. 

 

DD How’d you connect with Brackles? I see he’s played a remix of yours recently and also brought you on to do a 15 minute production showcase mix for Rinse.fm. 

A I initially wanted to run a tour with Brackles in Australia, so we were discussing plans for that originally. During that time I’d send over tunes every few months, which he ran on Rinse and were getting picked up on by a few blogs & dj’s. Not long after signing the Shook EP, Coyote organized a guest mix which Brackles requested a 15min production showcase…I was over the moon to say the least! 

 

DD How have your shows in Australia been going?

A The gigs are going well here, they kinda come along every few months or so. It’s usually my mates organizing stuff, sometimes international supports but mostly local events. I locked down a monthly residency at a bar in the city not too long ago, which I prefer doing the most. It gives me 5 hours to play whatever I like and get extremely pissed in the process…shouts to the E55 crew every time. 

DD Any last words? Hope our paths cross again very soon.. 

A Big thanks for getting us back and shouts to everyone supporting. The Shook EP is available  on select digital stores now and will be available everywhere & on 12″ vinyl as of June 24th. More releases to follow, keep an eye out!

Arctic – Facebook Soundcloud Twitter

– Jimi Jaxon