Archives for posts with tag: Kingdom

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Jimi Jaxon here! And this is my new mix alongside Machinedrum in Seattle! In awe that this is the third show I’ve played with Travis Stewart. I consider him to be one of the best artists around, a serious gift to the universe. Disco Droppings draws influence from this dude, and I intend to continue holding my light for diverse sounds such as these.

Wide range, reppin’ allies from this site, 7 Deadly Records, and my local area ++

 

Ambalance – Outwarne

Ana Caprix – Strawberry Moon

Jimi Jaxon – S101115S

XI – Gamma Rain

youryoungbody Bishop

Juakali – Rootz (XI Remix)

Nightmare Fortress – No Exit (Zoolab Remix)

Acre – Effected The Most (Original Mix)

Grimes – Skin (Sorrow Remix)

Lando – Run It

Hxdb – Mustard (Cure Remix)

Canblaster – Triple Ring

Walton – Frisbee

Airhead – Pyramid Lake (Original Mix)

Kingdom – Mind Reader feat. Shyvonne (Bok Bok Remix)

Sphyramid – Selling (MMXV)

 

Mastered by Greyspot

q nightclub
fwd
10.28.15

 

 

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545248_10201726953471546_237158689_nPhoto credit: Nick Blumenthal

Crafting some of the sassiest and most memorable mixes I’ve heard in a while, and looking damn good doing it. It’s time to turn up the heat on Disco Droppings, Joey LaBeija is in control. In this interview we talk about his House of LaBeija family, influence, how his mixes come together and his connection to the CuntMafia Warehouse parties in New York.

 

DD You are a part of the House of LaBeija, the first voguing house ever started. You are also the only DJ in this crew. As ballroom and vogue culture continues to spread, you seem to be in an ideal central spot. How would you describe the house, its significance and your role in the whole thing? 

JL Being a 4th generation LaBeija has been a blessing. Everyone in the house is so loving, supportive, goal oriented and driven.  One of our LaBeija mottos is ‘we are a family first and a ballroom house second’. Every single one of us, even our Father Tommie, has a hustle and a struggle and it feels really comforting to know that we are all in this together. The house was quiet for a while in the ballroom scene, and as members of the house, we are all doing our thing to make sure everyone knows WE ARE BACK.  I got inducted to the house shortly after my first international gig in Tokyo. I knew that my life as a DJ was slowly but surely about to grow, and I wanted to do it in the name of LaBeija, helping bring the name back to the forefront in and outside of the ballroom community.

DD What has influenced your style as a DJ? 

JL I am not much of a voguer, I only vogue when I’m turnt up with my boys smoking blunts at the crib or when I come out the shower feeling soft-n-cunt. Ballroom music is just a fraction of what I like to play…I think growing up in New York has influenced my style as a dj more so than anything. Growing up here I was a floater, never really hanging out with one specific group of people. I went to school with guidos, hung out with punks on St. Marks, cruised for trade with fags on The Pier, and smoked L’s and drank Korbel with my ratchet bitches on the block.  Each crew had a completely different influence on me musically and I think it shows a lot in what I do.

 

DD In addition to an obvious gift with music, you have really rad style. I don’t really have a question about your style, but I just want to commend you on looking fucking awesome all the time. 

JL Thanks boo ❤

DD I enjoy the names of some of your mixes, such as “Tales From The Bedroom” and “Good Sex & Night Terrors”. Do you often think about themes when pulling together your track lists? 

JL Going into a mix with a theme in mind is really important to me. I like to think of those mixes in particular as pages from my journal because they tell a little bit of a story. I didn’t pick tracks for either of them…I recorded them live and played strictly off of my emotions. The titles came to me after listening to them. I wanted Tales From the Bedroom to be a panty dropper mix; something you could listen to while gettin yacked by your [in]significant other. Good Sex & Night Terrors is my favorite..for me, it is story about how much of a nightmare it can be balancing your hustle, loving a dude and being a bad bitch which is exactly what I was going through while recording it.

 

DD I read in a past interview that you’re planning to expand your friend CuntMafia’s Warehouse parties in New York. These look extremely diverse in terms of the crowds you attract as well as extremely successful in general. How is that coming together? I hope you guys come to Seattle, I’d love to help in any way!

JL Contessa and I are always curating something crazy. Me her and my best friend Shawn Leigh had a great success with our monthly party ‘Iconic’ this summer. I decided to pull the reins on it for a plethora of reasons, the main one being none of the venues really felt like home, which is why we moved the party around every time. But when we find the right home we will bring something back to life for sure. Throwing warehouse parties involves a lot and can be really difficult when you don’t have a rich white man fronting/investing the money for you like other warehouse parties here. Thats why I respect Contessa, she may be wild as fuck and will rage on you like no other, but all of her success is self made and self invested. She’ll take a struggle over a stack of cash any day cuz she’s ACTUALLY about that life.

DD What artists have you the most hyped right now?

JL GIRL!. There has been so much good music coming out recently it’s almost TOO much to handle. I’m really loving everything coming out from Fade To Mind right now. That Kelela Album is has been my bible since it dropped. Kingdom’s Vertical XL is genius, and I’m like crying in anticipation of NguzuNguzu’s new ep coming out. Don’t get me started on Drake’s NWTS…that album has me slow winding for hours at end. 

DD Any last words?

JL For booking inquiries contact: JOEYLABEIJA@GMAIL.COM

 

Joey LaBeija – Soundcloud Twitter Facebook Tumblr

– Jimi Jaxon

 

ftm2

 

My friend Korma turned me onto this mix from Total Freedom. It’s dope as fuck. Slick mixing the whole way through and some wild, diverse beats. He’s a member of Kingdom’s Fade To Mind crew. You can see him live in Seattle on May 29th @ The Crocodile with inc. & Kelela. I’m sure I’ll be writing more about this dude in the future. For now, sit back and take this in.

Total Freedom – Twitter Facebook Soundcloud 

– Jimi Jaxon 

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I have the utmost respect for people willing to go their own way. In the music world, and life in general, carving out your own individual path can be met with great difficulties. For those with enough determination, it is possible to claim your spot and make a lasting impact. Bok Bok is one such individual, leading the highly innovative Night Slugs label. I was a stage manager for Decibel Festival in 2011 and insisted on working 2 shows; Zomby and the Night Slugs showcase with Bok Bok, Girl Unit and Kingdom. I considered it a high honor to be around these artists and I hoped some of their mindset would rub off on me. I saw a strong leader in Bok Bok when we met; politely guiding the show, making sure everything was up to his standards. That showcase had mad energy as expected and became a highlight of my year.

 

In terms of branding and the overall visual aesthetic, Night Slugs are frighteningly good. They put forth a brilliant vision not seen in today’s dance world. It’s a visual environment filled with architecture, grids and blueprints of sorts. They make me think of strong foundations like the pyramids; cryptic, alien looking creations that are built to last.

Now I’ll focus on some Night Slugs releases that stand especially tall in my eyes..

Velour – The Velvet Collection (NS007) – Lush and sexy at its best. The dreamy synths on this EP go straight to my heart.

 

Egyptrixx – Bible Eyes (NSLP001) – I was dumbfounded when I first heard this title track. Very strange and enticing album.

 

Kingdom – Dreama EP (NS012) – Stalker Ha is the shit, just like the man behind this EP.

 

Jam City – Classical Curves (NSLP002) – A new world has been created inside this album; one that is very bright, diverse and magical.

 

If you wish to experience a set from Bok Bok, you should grab your ticket for his show this Friday @ Chop Suey in Seattle (TIX, Fb Event). This show is put on by Decibel and Shameless and will also feature sets from Sounds In Silence and myself + visuals by David Kwan aka Nanoglobe. Stay tuned for an upcoming Disco Droppings feature where I’ll interview Mr.Kwan; graphic designer and VJ for Decibel. We will talk about his various roles, as well as the immersive visual presentation we are planned for my set.

Bok Bok – Facebook Soundcloud Twitter

nightslugs.net

– Jimi Jaxon

Kingdom is the shit. My favorite set at Decibel Festival 2011.  He’s playing tonight at Chop Suey – GO

 

 

DD This weekend feels like a Fade To Mind takeover, between your show tonight (Chop Suey), and MikeQ on Saturday (Lo-Fi), very exciting! How would you describe your show tonight, for those who may be unaware? 

K Total Freedom, Massacooramaan, Cedaa and myself will be showing people what Fade to Mind artists always do, playing a lot of custom edits, unreleased tracks, and club music with a wide range of emotion and intensity.

DD You’ve brought Cedaa into the Fade To Mind crew, what an incredible oppurtunity. I’ve seen him perform a few times now and it’s rad to see him alongside such a progressive group of artists. What about Cedaa do you find most inspiring?

K Cedaa’s style is high energy and bubbling but also moody at times. Very clean too, and his DJ sets are impeccable and far reaching.

 

Kingdom: Facebook Twitter Soundcloud 

– Jimi Jaxon