Archives for posts with tag: Grime

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It’s great to come together for the purpose of co-creating. Vibe out to my conversation with HxdB and DJ Cure aka Greazus, and catch our show with em’ at Monkey Loft tomorrow. .

 

DD Hello Greazus! And a special greeting to Severine (HxdB) whose been a wonderful element of this blog over the years.

G Sup.

DD So with this collaboration of yours (which I’m loving!), are there certain individual strengths that come to the surface?

HXDB Patrik has a great knack for writing catchy hooks and getting raw ideas out quickly and bringing the heat on the keys. I on the other hand am the one that fusses over the mix and the fine details and the polish..Oh I write basslines like a muh tho! lol.

 

DD There is such power in rhythm to move and entrance. Do you guys have certain memorable experiences seeing certain artists or shows, where you could really lose yourself in the sounds and/or environment?

CURE Definitely. Something that sticks out for me was seeing Bonobo with his full band, they had 3 encores. It really made me want to become a better musician. Any time I’m at a festival and I’ve finished my set, I will let loose. That is my favorite time to let go and enjoy some music I probably wouldn’t get down to on a day to day basis.

HXDB I vividly recall seeing Amon Tobin here in Vancouver at the Commodore Ballroom and being totally mesmerized by the sound. It was his “Foley Room” tour and he played in 5.1 surround. That sensation of being fully immersed in sound, that’s something we definitely go for in many of our tunes.

DD I was having a fun listening to my favorites from your Soundcloud, while watching my favorite anime “Yu Yu Hakusho” on mute (episode 88 called “The True Face of Sensui” if anyone wants to view). It was one of the more menacing parts of the series, and I could easily see the fierce attitude coming through in your productions. I know ya’ll have a fun approach to what you do, but are there some more darker influences coming through?

 

CURE For sure, a lot of these projects will get started on our own individually. For me its like therapy, you know? Taking your mind off life. I will get incredibly blazed and escape in the sounds. Its not all fun and games, and sometimes you need an outlet to blow off stream – might as well make some heavy beats.

 

HXDB I actually listen to a lot of heavy metal and have generally always enjoyed dark sounds, which I feel is a great way to deal with the fucked up things in your life and the dark, “real” moments . With Greazus, we try to strike a balance of dark and light moments and just have fun creating.

DD Looking back to the past in the D&B, hip-hop areas, are there any tracks that come to mind that help you guys lighten up?

CURE Hip Hop and Rap especially are a big part of our lives. I’ve always been a big fan of underground rap, but as far as lightening up, I experience guilty pleasures listening to really ignorant gangster rap. That shit is like comedy gold to me. Dudes like Juicy J (and Three Six Mafia), Asap Ferg, YG.

HXDB I’m a child of the 90s, so that shit is still my go-to for good times. Tribe, Organized Konfusion, Black Moon, De La, etc. I do love some of the new cats like Azizi Gobson and Ferg, but I definitely appreciate conscious rap more than the ignorant shit, even though it is a good laugh. In terms of D&B, I guess tracks like Klute – Phone Call, or old 4Hero always put me in a golden mood. I’m also mildly obsessed with the band Little Dragon and find myself simply, happy when I listen.

 

DD Who are some of your favorite artists interacting with your work, both through featuring tracks in mixes and collaborations?

 

G Our number one collaborator right now is probably Sinistarr, we have a number of tunes with him that we’re all really excited about. He’s kind of like the 3rd member of Greazus, haha. We have also done some cool stuff with our dude Kid Kurse, also from Vancouver (look out for that in the near future), plus our boy Subcorr, which we have a few things going with that are exciting. Sam Binga, has recently given us an incredible amount feedback and support, which has been a real confidence boost and source of motivation.

DD Thinking about rebirth, how has this new creation between the two of you given new life to your solo identities?

CURE For me, I have become more disciplined when it comes to starting and finishing projects, and doing it more consistently.

HXDB Personally, its been really nice to gain a new focus and perspective. I feel like I don’t have to cover as much territory with my solo act anymore and can focus my sounds a bit more clearly for each.


DD
Coming up tomorrow, we here at Disco Droppings along with Tom Kha will bring Greazu$ down from Vancouver to play the Spectrum show @ Monkey Loft. Whatcha guys got planned for this party, and is this your first time as a duo playing in Seattle?

G Here’s the thing, we never plan our sets. We play b2b ourselves and love to just wing it. Vibing with the crowd and picking cuts to hit the right places at the right time. We both have incredibly similar taste in music, so its really fluid for us to navigate through different styles and bpms and still build and maintain a strong vibe in the dance. We want to go off too! haha. This will be our first time playing together in Seattle actually, but we’re mad stoked to be playing at Monkey Loft and to rock with all our Seattle fam. Let’s git it!!!

 Greazus – Twitter Soundcloud Facebook

– Jimi Jaxon

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hyperdub

Decibel Festival celebrates its 10 year anniversary next week, and I’m putting the spotlight on a few artists and showcases. When I first found out that a Hyperdub Records Showcase was happening (9/25 @ The Crocodile, All-Ages, 21+ Bar), I lost it. I felt confident it would be one of the best ones to experience at dBx. Seattle is quite blessed to have the hugely influential Hyperdub Records, with label boss, Kode9. Real name Steve Goodman started Hyperdub in 2004, innovating with releases from Burial, Zomby, King Midas Sound, Ikonika and more recently DJ Rashad, Laurel Halo and a personal new favorite of mine, Walton. Styles include Dubstep, 2-Step, Grime, Funky, Juke, Techno, House and Future Bass. Basically, Hyperdub covers a lot of ground with its mutated rhythms, and the music can often times have a darker perspective.

 

In a detailed conversation with Red Bull Music Academy, Kode9 understands that “the DJ has this kind of shamanistic role, a circuit bender, mediating between an abstract and a physical realm.” Last year, I traveled with Decibel Festival founder and curator Sean Horton to Vancouver, Canada for New Forms Festival. One of the main acts of 2012 was Kode9 and his DJ set was one of the best I’ve ever seen. Knowing that Goodman is a professor, with a Ph.D in philosophy, his New Forms performance felt like an education of dance music. Almost every strain of rhythm currently at work in the dance world seemed to be in his set, effortlessly strung together. It had so much raw energy, demanding movement and engagement with the audience.

 

I enjoy the imagination in Ikonika‘s music. Her newest album Aerotropolis on Hyperdub is an adventure, invoking feelings of the past and future, fantasy and reality. Those who appreciate house music, video games, sci-fi or the 80’s will find something to love in Ikonika’s sound. If you’re about to see her at Decibel Festival, I like knowing that she connects a club to a church, believing “It’s a place to meditate, it’s a place to find something new, it’s a place to remember something. (Quietus Interview)”

In addition to her work with Hyperdub she runs the Hum + Buzz label with Optimum.

 

Come to The Crocodile on Wednesday, September 25th, 2013 and experience the Hyperdub Records Showcase. I will be opening the night with a 9-10pm DJ set. Visuals by Zach Walker.

Hyperdub – Facebook Twitter Soundcloud

hyperdub.net

– Jimi Jaxon

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My dude Arctic is on the attack. Some may remember past features here on James Arctic. He’s shortened his artist name, and is showcasing some impressive, dark new sounds. He’s got a fantastic release on Coyote Records called the Shook EP which features two tough grime tracks and a remix by Kid Smpl. Hear from the man himself in this new interview for Disco Droppings..

 

DD Feels strange to say, but it’s been over a year since I last talked to you on Disco Droppings. Welcome back.. 

A I know, time has flown. Great to be back, always a pleasure mate.

DD Your Shook EP was on June 3rd. Look at you dude! First I see “Kings” in that Tracks 4 My Mom release, and now this EP. It makes me smile seeing my friends such as yourself pushing out and doing shit. How are you feeling about it all?

A Thanks man. I was stoked to be a part of the Tracks 4 My Mom comp. The “Kings” track was receiving a great response when I first made it (over a year ago now), but nothing much came of it, so when March’85 hit me up I jumped at the chance…It’s a great home and fits really well in the compilation. The Coyote EP is a real proud moment. Having my music pressed on wax has been a goal of mine for a while and seeing it all come together alongside an amazing back catalogue is such a great feeling. Tom @ Coyote has fully supported my music from the get-go and the whole experience has been a pleasure. 

DD You are really into Grime, a style of music I’m not too familiar with. How would you describe Grime and how has it influenced your new EP?

A What attracted me to Grime music back in the day was the old school clashes – the rawness & energy behind the productions and the hype between mc’s sending for each other. The sounds were unpolished, the quality didn’t necessary have to sound good, which I feel made it exciting & unpredictable to listen to. I like to think that comes across in my productions also. 

 

DD How’d you connect with Brackles? I see he’s played a remix of yours recently and also brought you on to do a 15 minute production showcase mix for Rinse.fm. 

A I initially wanted to run a tour with Brackles in Australia, so we were discussing plans for that originally. During that time I’d send over tunes every few months, which he ran on Rinse and were getting picked up on by a few blogs & dj’s. Not long after signing the Shook EP, Coyote organized a guest mix which Brackles requested a 15min production showcase…I was over the moon to say the least! 

 

DD How have your shows in Australia been going?

A The gigs are going well here, they kinda come along every few months or so. It’s usually my mates organizing stuff, sometimes international supports but mostly local events. I locked down a monthly residency at a bar in the city not too long ago, which I prefer doing the most. It gives me 5 hours to play whatever I like and get extremely pissed in the process…shouts to the E55 crew every time. 

DD Any last words? Hope our paths cross again very soon.. 

A Big thanks for getting us back and shouts to everyone supporting. The Shook EP is available  on select digital stores now and will be available everywhere & on 12″ vinyl as of June 24th. More releases to follow, keep an eye out!

Arctic – Facebook Soundcloud Twitter

– Jimi Jaxon