Archives for posts with tag: Vancouver

Greazu$ Interview

2015/06/17 //
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It’s great to come together for the purpose of co-creating. Vibe out to my conversation with HxdB and DJ Cure aka Greazus, and catch our show with em’ at Monkey Loft tomorrow. .

 

DD Hello Greazus! And a special greeting to Severine (HxdB) whose been a wonderful element of this blog over the years.

G Sup.

DD So with this collaboration of yours (which I’m loving!), are there certain individual strengths that come to the surface?

HXDB Patrik has a great knack for writing catchy hooks and getting raw ideas out quickly and bringing the heat on the keys. I on the other hand am the one that fusses over the mix and the fine details and the polish..Oh I write basslines like a muh tho! lol.

 

DD There is such power in rhythm to move and entrance. Do you guys have certain memorable experiences seeing certain artists or shows, where you could really lose yourself in the sounds and/or environment?

CURE Definitely. Something that sticks out for me was seeing Bonobo with his full band, they had 3 encores. It really made me want to become a better musician. Any time I’m at a festival and I’ve finished my set, I will let loose. That is my favorite time to let go and enjoy some music I probably wouldn’t get down to on a day to day basis.

HXDB I vividly recall seeing Amon Tobin here in Vancouver at the Commodore Ballroom and being totally mesmerized by the sound. It was his “Foley Room” tour and he played in 5.1 surround. That sensation of being fully immersed in sound, that’s something we definitely go for in many of our tunes.

DD I was having a fun listening to my favorites from your Soundcloud, while watching my favorite anime “Yu Yu Hakusho” on mute (episode 88 called “The True Face of Sensui” if anyone wants to view). It was one of the more menacing parts of the series, and I could easily see the fierce attitude coming through in your productions. I know ya’ll have a fun approach to what you do, but are there some more darker influences coming through?

 

CURE For sure, a lot of these projects will get started on our own individually. For me its like therapy, you know? Taking your mind off life. I will get incredibly blazed and escape in the sounds. Its not all fun and games, and sometimes you need an outlet to blow off stream – might as well make some heavy beats.

 

HXDB I actually listen to a lot of heavy metal and have generally always enjoyed dark sounds, which I feel is a great way to deal with the fucked up things in your life and the dark, “real” moments . With Greazus, we try to strike a balance of dark and light moments and just have fun creating.

DD Looking back to the past in the D&B, hip-hop areas, are there any tracks that come to mind that help you guys lighten up?

CURE Hip Hop and Rap especially are a big part of our lives. I’ve always been a big fan of underground rap, but as far as lightening up, I experience guilty pleasures listening to really ignorant gangster rap. That shit is like comedy gold to me. Dudes like Juicy J (and Three Six Mafia), Asap Ferg, YG.

HXDB I’m a child of the 90s, so that shit is still my go-to for good times. Tribe, Organized Konfusion, Black Moon, De La, etc. I do love some of the new cats like Azizi Gobson and Ferg, but I definitely appreciate conscious rap more than the ignorant shit, even though it is a good laugh. In terms of D&B, I guess tracks like Klute – Phone Call, or old 4Hero always put me in a golden mood. I’m also mildly obsessed with the band Little Dragon and find myself simply, happy when I listen.

 

DD Who are some of your favorite artists interacting with your work, both through featuring tracks in mixes and collaborations?

 

G Our number one collaborator right now is probably Sinistarr, we have a number of tunes with him that we’re all really excited about. He’s kind of like the 3rd member of Greazus, haha. We have also done some cool stuff with our dude Kid Kurse, also from Vancouver (look out for that in the near future), plus our boy Subcorr, which we have a few things going with that are exciting. Sam Binga, has recently given us an incredible amount feedback and support, which has been a real confidence boost and source of motivation.

DD Thinking about rebirth, how has this new creation between the two of you given new life to your solo identities?

CURE For me, I have become more disciplined when it comes to starting and finishing projects, and doing it more consistently.

HXDB Personally, its been really nice to gain a new focus and perspective. I feel like I don’t have to cover as much territory with my solo act anymore and can focus my sounds a bit more clearly for each.


DD Coming up tomorrow, we here at Disco Droppings along with Tom Kha will bring Greazu$ down from Vancouver to play the Spectrum show @ Monkey Loft. Whatcha guys got planned for this party, and is this your first time as a duo playing in Seattle?

G Here’s the thing, we never plan our sets. We play b2b ourselves and love to just wing it. Vibing with the crowd and picking cuts to hit the right places at the right time. We both have incredibly similar taste in music, so its really fluid for us to navigate through different styles and bpms and still build and maintain a strong vibe in the dance. We want to go off too! haha. This will be our first time playing together in Seattle actually, but we’re mad stoked to be playing at Monkey Loft and to rock with all our Seattle fam. Let’s git it!!!

 Greazus – Twitter Soundcloud Facebook

– Jimi Jaxon

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Categories Interviews

HxdB – Guest Mix for BBC Radio 1 & 1Xtra

2013/04/12 //
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Happy to see my friend HxdB featured on BBC Radio 1 & 1Xtra. B Traits had him put together a guest mix, and I must say it’s sick! As he says at the beginning, you’ll hear brand new tunes from himself and his friends out of Vancouver and across the globe. If you missed it, I talked with him for Disco Droppings last year, which you can read here.

If you want to see the man behind the beats, Lowpass TV presented a lovely documentary as well as a HxdB Slowcast Mix.

 

HxdB – Facebook Twitter Soundcloud

– Jimi Jaxon

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Keeping Up w/ Daega Sound

2012/11/09 //
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It’s been nearly a year since I last talked with Daega Sound and I’m happy to report, they’ve been very busy. This duo from Vancouver showcases powerful tracks in the dubstep realm , an expanded live pa and a string of excellent releases in 2012, into 2013. Extensive interview below..

 

DD I was just up in Vancouver to see XI, thought about you guys. What are you up to in Canada? I still gotta see one of your shows. 

DS Yup we’ve been busy keeping up with our releases and forthcoming releases, as well as writing LOTS of new music for 2013.  We have 8 tunes slotted for release at the end of 2012 and early 2013. We are super stoked for our latest releases, our tune “Fonica” and the seriously banging Fonica remix by DJG out on limited edition 10” as well as digital on Crude Records.  Also our remix of Longwalkshortdocks “You Berg” out on King Deluxe. Forthcoming we have 2 dnb tunes coming out on Loxy’s CX:Digital label, Mind Like Water. It’s a half time very textured dnb bit and “Flight” which is akin to the older school dnb steppers but with a melodic and layered up Daega sound. Also a 3 track minimal style dubstep EP coming out on Dat Pressure Records. Our collab with HxdB, which has been super fun, will be out on 12” and digital on Crude Records. You can catch the dub of “Spheroid” (Daega and HxdB) being snuck onto SubFM and RinseFM by a select few Dj’s. Also a couple remixes we have done, “Regenerate” by Moldy, a super sick proper tune coming out 12” and digital on Tuba, and a remix of the notorious Mat The Aliens “Hsptl Wobble”..a mad mid bass wobbler we totally daegafied, for his label Really Good Recordings. So keeping that going as well as getting to work other new projects. We are working with vocalist Lady Maroo on a couple tunes, who has worked and released music with DJ Madd, excited to see where that goes, she has a great voice. Outside of the studio we are starting to book in some shows in Vancouver and are looking at the spring for a North Amercian tour.  In the immdediate future we’ve got some DJ gigs and some Live PA gigs in Vancouver comin up!

 

DD Judging by your new productions, I sense a distinct production evolution (the forthcoming “Fonica” on Crude Records is tough!). How do you feel you’ve grown in 2012, and how to you hope to build on that progress? 

DS “Fonica” is a culmination of new inspirations within the bass music realm and our new ever progressing experience in the studio.  The more time we spend in the studio, the more we learn. New information and skills are very inspiring, the results are in an evolution of the sound. We are also looking at the overall organization of what it is that we do and what we want to do.  Looking forward and building on the foundation that we have, we’ll be spending a bunch of time in the studio writing and finishing new tunes, and we also plan to be getting ourselves out on the road more.  All the while, we’ll be upping the focus on making ourselves more accessible and organized online.

DD The Daega Sound remix of Longwalkshortdock’s “You Berg” has a sick rhythm. The change up between the intro and drop is very unexpected. How are you connected with Longwalkshortdock, and what did you hope to accomplish with this remix? 

DS We had been playing the same festivals as Longwalk for a couple years before we actually met. Always loved his live performances, totally off the hook awesomeness; he can produce,  sing, and really put on a show. Once we all met, and nerded out for a bit, we totally got along and now try to catch each other’s shows whenever we can.  We liked Longwalk’s version of “You Berg” with the vocals, he sent the stems over, King Deluxe wanted to do a remix pack with a bunch of other producers and it was on. The format of the song is unexpected. This tune kinda just came out like that, we liked the contrast of the smooth vocal lines and build up from the likes of the original tune, then the way it just fell into a very different drop, which is very us, but still heavily influenced by the original. We didn’t really have an agenda with the “You Berg” remix, it was more about getting a project going with LWSD, cause we like him and his music so much.

DD When is this DPR Recordings release happening? I love the fluid, epic quality of “Falsehood”, and “Whirpool” is tight too. 

DS Thank you! We were going for a full sound using minimal timbre’s and a stripped back arrangement. Master’s of the tunes are completed and they sound awesome. From this stage the tunes begin their journey to the label to queue up for promo, then onto worldwide distribution on all major online retailers. We are waiting for a release date from distribution for the EP, we anticipate a late 2012 release.

 

DD I was sad to see III Cosby, head of Car Crash Set move from Seattle to Washington D.C.  He released the “No Northwest Cycle 2 EP #3” in May, 2012. This features your tracks “Legion”  and “Winter’s Horse”, along with productions from Kid Smpl and Keyboard Kid. “Winter’s Horse” stood out to me, I would love to include this in a future DJ set of mine. What kind of connection do you feel with your close neighbor, Seattle? 

DS Glad you like the tune, of course put it into a mix, that would be awesome! Well, from the few times we’ve been to Seattle, we played with Shackleton there in 2010 and had a seriously good time, we both really like it. We were into all kinds of rock and grunge when we were younger and some our favourite musicians (Chris Cornell, Kurt Cobain to name a few) all come from Seattle, so it was awesome to play there..and think about how many amazing artists have performed or come from Seattle. The influence from all those artist is still very there for us.  We’d both really like to be there more and get to know the city better, haven’t made it to Decibel Festival, its been in the plans for a couple years, we’ve heard so many great things about the level of production, and of course the line up always looks so amazing.

 

DD To wrap things up, what’s the best thing that’s happened to you guys this year? 

DS We’re not good at picking favourites, there are certainly a lot of highlights. Some highlights would have to include: releasing a limited edition 10” with an absolute banger of a remix from one of our favorite producers and good friend DJG (aka Grenier), releasing on Loxy’s label is big for us , he has been a sound hero for us since we were teenagers. The success of our new live pa set at this years edition of Bass Coast featuring the debut of a bunch of our new DnB and integration of ipads into our live set up, honing in our production and work schedule (there’s something to be said for time management) and having some space and time to write and prepare for the future.

Daega Sound – Facebook Twitter Soundcloud

daegasound.com

– Jimi Jaxon

 

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HxdB

2012/05/17 //
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There are wonderful things happening in Vancouver, Canada, and HxdB is a prime example. I talk with the prolific producer about 2 releases that got me hyped. Enjoy learning about Booyant / Amphibian and Hoof Hearted / New Style ..and if they move you, pick em up!

 

DD The “Booyant/Amphibian” release on Tectonic is very rad. I played “Amphibian” as well as the Archie Pelago remix of “Booyant” (which is mind-blowing) in my last set, and plan to play them a whole lot more. How did working with Distal encourage and challenge you?

HX Well, Mike and I each approach production very differently, in addition to the fact we both use different sequencers. So when we actually got down to starting our collaborations in the studio, we approached it very organically. We had great synergy straight away, each person allowing the other to take the reigns when needed. We were both really flexible imposing our ideas and I think that’s why we were able to come up with 2 very unique and distinct tunes. It’s safe to say we both learned a lot from each other in terms of techniques and overall vibes. Working with another person in the studio is always an interesting challenge since you have to learn each person’s workflow and level of comfort taking and giving orders, heheh.

 

 

DD Both of us have experience managing labels, do you feel this gives you a unique perspective on the music community and how you would like to contribute to it?

HX TBH, I don’t think my perspective has changed much from when I began to now. I have always been very fortunate to have an extensive network of peers and friends creating incredible music from which to tap. Certainly, from a contribution stand-point, I am afforded the freedom to promote the sounds that move me. I really didn’t have the chance to do that before becoming involved with Gradient Audio. 

 

 

DD You mentioned in a past interview that a Daega Sound set, as well as Skream’s performance at a past Shambhala got you re-interested in producing. Daega Sound was on my blog a little while back, and I’ve become a huge fan of Skream recently. How do you feel these artists present their own distinct style? I dig the forthcoming Daega Sound/Kid Smpl No Northwest Cycle 2 EP #3, out now on Car Crash Set..

HX You can hear when an artist or group has “found” their groove. It is clear when you hear acts like Daega or Skream, that their brand is their sound. They stick to their guns and have a clear vision of what they would like to accomplish with their art. It’s inspiring and potent. Keep your ears peeled for a forthcoming collaboration 12″ with Daega and HxdB soon too! We’ve just wrapped up the first project and it’s VERY exciting.

 

DD I also enjoyed this “Hoof Hearted/New Stylee” release you did with Self Evident, out now on Palms Out Sounds. With support from Canblaster, Distal, Dubbel Dutch and Salva, that’s quite the stamp of approval. “New Stylee” is super badass, a fitting name for such a fresh and inspired track. What’s the environment like when you and Self Evident work together, compared to Distal?

HX Ben and I are like Voltron in the studio. Two, individually unique producers become a JUGGERNAUT when combined, hehehe. Seriously though, we love working together so much since our dynamic is so unique. The way we develop ideas is so natural and we’re constantly striving to push the boundaries of our individual sounds and make sure that our collaborations have their own distinct edge. We’ve just wrapped up yet another song, which is if I’m not mistaken our tenth song together! In comparison to working with Mike though, I would say it comes down to symantics. Mike is a genius when it comes to programming, where Ben is a genius when it comes to sample mining. Both are equal-parts genius when it comes to vision.

DD You opened a recent Night Slugs showcase in Vancouver. I made a point to work at their showcase for Decibel Festival last year, definitely my favorite event to witness. What’s your favorite release from them?

HX Anything by Mosca really. I just love how his songs are so incredibly meticulously designed but still have that stipped back sound. I guess you could say “Nike” is my fave….What an epic journey that song is!

DD Last words?

HX I’d just like to take this opportunity to thank everyone that has supported me over the years. All of my wonderful friends, family and fans. All of my mentors and peers that have taught me SO much, taught me the value of being true to yourself and remaining humble. I love eveyone, especially my haters. Oh, and fuck Monsanto.

 

HxdB – Facebook Twitter Soundcloud

Hxdb.org/

– Jimi Jaxon

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Daega Sound

2011/12/13 //
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DD I’ve heard the electronic community in Vancouver is vibrant. How does it look from your perspective? Where would you like to see it go?

DS Yep, lots goin on in Van, whatever your tastes may be. Originally hailing from Southern Ontario, we can offer a perspective on Vancouver that begins from around 2003.. the local scene in all genre’s has always been strong, even if limited in size, but for the bass music community, things really picked up around 2006 with the first dubstep events being booked by Kuma and Tusk (Kode 9).  Around the same time Max Ulis and Jesse Proudfoot started promoting a weekly grime and dubstep night followed by a local festival (New Forms Festival) that started promoting bass centric nights under the guidance of Michael Red and Malcom Levy (Dubforms). From that foundation we’ve seen the scene flourish and now see regular events from multiple crews (Lighta! Sound, I.G.U. Shah Dj’s, Perception to name a few) featuring both local talent (Taal Mala, Max Ulis, Michael Red, Calamalka, Hxdb, Self Evident, Librarian, Myles Away, Glitchy & Scratchy to name a few) and international talent (Mala, Distance, Benga, Skream, Hatcha, Martyn, DJG, 2562, Headhunter to new a few) as well as locally based labels (Fathom, Aufect, East Van Digital) and now an amazing new festival close to home (Bass Coast). When you have good talent, a good vibe, a good crowd, good sound-system standards, and a backdrop of rain-forest and mountain tops, it’s hard not to have a really good time.  

As far as where we’d like to see it go? It’s going where ever it needs to go, we’ll see cycles of what peeps are feelin and what they’re not. We’d like to see it hold true to it’s foundations of pushing new sounds to new audiences and maintaining those standards of vibe, setting and sound-systems that have given us the scene we so much enjoy. Ultimately the scene will continue to evolve how it has in the past – new music will come through and producers will push boundaries.

 

DD What’s your experience been running your label Fathom Recordings? What’s been the biggest challenge?

DS As we are really still in the early stages of Fathom’s development we don’t have a lot to share yet on it’s history :].  From conceptualizing design, art and content to the distro, marketing and retailing of the records, the job certainly has many facets – with the first release down the second will be easier. It is worth it tho, to have something physical, “an artifact” (to quote Jon A.D. from LoDubs) to be passed down through time as opposed to a digital file that can just as easily be thrown into the recycling bin/trash and deleted as easily as it was downloaded, makes doing the 12 inch’s special.  This is why we’ve chosen to do limited runs, silk-screen our own art and number the releases, it’s fun to have/collect/own an artifact that has a story.  Thus far, the biggest challenge with the label would have to be the fact that you have to do everything yourself.  The artistic side is super fun and fulfilling and we have a tight vision, whereas the bizz side, distro, marketing and promo stuff – like making sure people know what you are doing and keeping the release current in peoples minds with all the other great stuff that’s happening out there is def a challenge. 

DD Tracks of yours have appeared in sets from Mary Anne Hobbs, Mr. Scruff and Headhunter, congratulations! How did that come about?

DS Our first dubstep EP went out on DPR recordings which is run by garage legend Noodles based in London UK. He has been an integral part of garage music for a number of years (Groove Chronicles – him and El B) and has Mary Anne Hobb’s ear. Not to sure how MR. Scruff came across “Passion” tho probably through Noodles. With Headhunter we played a show with him an gave him some music – from there we’ve stayed in touch.  He’s supported our first release on Fathom Recordings and also our Moonrise EP that went out on Blipswitch in 2010.

DD Describe your first show at Mutek Festival 2011..

DS It was wicked. The festival is run so well, they are very hospitable, great sound and production. It was an honour to be asked to participate. We played alongside fellow members of our Lighta! crew and were also booked to perform live. We mostly get booked to dj so it was great to get to showcase our new music in a live pa set.  Montreal is an incredible city, the festival is next level and if you can find a way to attend, don’t miss it!

 

DD What helps you stay in the zone? What keeps you motivated and focused as an artist?

DS Our love for music and a desire to always come up with new and different sounds and of course “life” is pretty much the biggest motivator. There are always things happening, good stuff and difficult things that fuel the fire to express yourself musically. Every time we ascend to what we feel is a new level in our writing we see the next peak as clear as day. So you just keep going and persevere. It also helps to live in such a beautiful setting  – the ocean air is really nice.

DD Plans going into 2012?

DS We have lots of upcoming releases including a 2 track ep on Carcrashset, 3 track ep with DPR and we are currently working on a collab with Hxdb which looks like it will be coming out on 12″. 002 on our Fathom imprint will be coming out on 12″ with one Daega Sound tune and a remix by the excellent duo June Miller.  We are finishing up our website daegasound.com and making our music much more available to everyone than it has been in the past. So getting that music out there will be a big focus of 2012.

DD Last words?

DS Yup, we would def like to thank everyone who has supported and inspired us over the years!

We have some new music coming out December 16th 2011. It’s a 6 track EP titled “Let It All Go” on UK label Echodub. Here’s a link to the preview:

 

Show luv on Twitter & Soundcloud 

– Jimi Jaxon 


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