Archives for category: Interviews

 

Simple, effective and finely-tuned. I’d say these are accurate ways to describe ATL based, Distal. After hearing about him through interviewing HxdB (hear the solid Booyant/Amphibian release accompanied by an Archie Pelago remix), I was determined to get him on Disco Droppings. His sound and distinct attitude are something to celebrate, so I’ve set up this lengthy conversation with Michael Rathbun aka Distal, for your reading pleasure. We cover his recent travels, getting accepted into RBMA 2012, several releases from his label, Embassy Recordings, the U.S. internet bills and such. Not discussed, is his ultra fresh album “Civilization” on Tectonic Recordings. Hear a few tracks in this feature, and pick up the full release here.

DD Welcome to Disco Droppings Distal! Been looking forward to this. You just got back home from playing some shows yah?

DISTAL Yes sir, just did some industry shows with Trouble & Bass and Scion. Other than that just working hard and staying busy, also trying to find some time to relax in between!

 

DD Big congratulations for being accepted into the Red Bull Music Academy. My buddy Kid Smpl also got in. You have a lot of experience as a DJ, producer and label manager. What attracted you to the program? Who do you hope lectures this year?

DISTAL Thanks. Yeah I’m always down to learn and grow. It seemed like an amazing experience to take advantage of. Everyone I know that has gone through the program has learned a lot and gone on with their career with great support from Red Bull. It’s a win win to stay creative, active and attentive. I hope they get some old school techno guys to teach this year. I learn a lot from past generations.

 

DD I’ve gathered that you’re really into film and books. What have you been reading/watching lately? How often do these interests bleed into your track names and ideas for songs?
DISTAL Man yeah I love watching film and reading. I watch more film than I do read, but I’m always immersed in one or the other. And yeah I would say in an unrelated way the two worlds do connect from time to time. I just watched La Haine … an amazing French film from the mid 90’s with an early Vincent Cassel. It’s about violence, class warfare and gun control in France. Such an amazing movie.

Films have a different emotional response from me. So much of what I do is robotic, and there’s something so very human about good film. Reminds me that I’m alive and being human is not only a struggle, but at times a very beautiful thing to be. Also, I sample the hell out of films!

I’m currently reading “All The Pretty Horses” by Cormac McCarthy. I love his work. First thing I read from him was “The Road”, which I suggest anyone who has a few hours to spare should definitely read. I love reading his books real slow and methodically. He writes in these elaborate prose that weave in and out of fiction and poetry. Definitely for fans of dry westerns. I’m also finishing a fun biography on Frank Zappa by Barry Miles (The guy you might remember from that big famous book “HIPPIE”). An amazing and fun read, very inspirational for ANY musician who is fighting the good fight.

I just finished reading “Atlas Shrugged” earlier this year, I’ve been meaning to read it for a long time, because I think it’s very ironic how easily our current situation can be related to this semi-fictional novel. I get a lot of flack for enjoying Rand’s work but I think most of her haters are coming from a place of bandwagon sentiment. None of them have read it, they just want to hate it to be against something. At least when I dislike something, I’ve taken my time to give it a fighting chance.

DD XI recently was interviewed here, and he’s quickly become a favorite of mine. I saw you two hanging out through Instagram. What did you guys do? Any collaborations in the works? That would be insane.

DISTAL We’re good buds and I spent some time at his house in Berlin when I was touring in Europe. It was such a fun week and unfortunately we never took the opportunity to work on music, although there is DEFINITELY some collaboration work with Embassy and XI coming out in the near future. He’s an amazing artist and friend, can’t say enough good things about that guy.

 

DD One recent release from your label Embassy Recordings really stood out to me. Your 10th release, Sleepyhead’s My Lyf. I first heard “Nothing Changes” via Mirror State on his Sub.fm show, incredible tune.

DISTAL We loved Sleepyhead’s stuff for a while now. It’s very romantic and subdued but still has this edge to it. It’s almost mysterious at times. He’s a funny character. Mite and I first heard My Lyf and were both sold on it from Day 1. He had given out ‘Nothing Changes’ online a few months prior to us signing it, but I didn’t care, I wanted more people to hear it regardless of it potentially being pirated. It’s probably my favorite song on the EP, and from what I’ve heard other peoples favorite as well.

DD Switching up the mood, I have to go back to this Wheez-ie Keep Yer Chin Up release. This collection of songs is savage. The title track, with that vocal sample is huuuuge. I don’t have a question for you on this, just wanna say thank you for giving these tracks a home on your label.

DISTAL Yeah man, just WAIT. Our second release with Wheez-ie will be on vinyl and it will be HUGE.

 

DD You recently played Boiler Room. Your 8+ years of dj’ing really show here. What was it like that night?

DISTAL Hah funny story about that night. I barely made it to the gig. I went the wrong way on the bus in London. Then the new bus I got on broke down. Then I couldn’t find the building and the security guy was giving me a hard time getting in. I was sweating bullets from running when I arrived, only had a few mins to down a few shots of whiskey and just step up. A big ole can of “phew” was served that night. The experience itself was an honor! It was really nice to see everyone back home tuning in and watching. Tectonic is a great family and I’m happy with them.

DD Many artists shy away from politics, but you’re very comfortable weighing in on things. You’re from America, what do you think of these internet bills? I signed petitions against SOPA/PIPA, and now there’s CISPA…I’ve lost track of everything and gotten discouraged as they just won’t stop bringing these bills back. What would your advice be to people who feel disillusioned by politics? Especially with something involving the internet, which we’re so deeply connected to. 

DISTAL The internet is the last form of FREE and unbiased information and communication that the human race has left. If we let the government get involved, we are surely condemning our communication to a life of servant-hood to the state. The government has no right to be involved in matters of the internet. They use the excuse that they are protecting the market place from pirates.. If they really want to protect the economy they’ll back away from it and let the market place handle the market place, they’ll stop bailing out business’ with our tax dollars, and stop the federal reserve from being a wrecking ball to our currency. Not to mention how much money we waste on useless overseas spending and involving ourselves in foreign affairs. Do we not have enough to worry about here? It’s common sense, and Thomas Paine would be pretty pissed.

I don’t care what people think. If you’re an intelligent adult, feel free to engage me in some good conversation about the issues. I don’t object to criticism and/or discussion. The only way we can move forward is to bring these issues into the light, be involved and debate them. To the disillusioned people I say, wake up before its too late.

DD Any final words? I hope to have you back again soon. Thanks for taking time out to talk with Disco Droppings.

DISTAL Shout outs to everyone who’s supported me over the years. I wouldn’t be here without your love and support. Oh, and to Obama, my career, yeah I built that. Lol see ya soon man.

Distal – Facebook Twitter Soundcloud

– Jimi Jaxon

 

No stranger to Disco Droppings, Kid Smpl is back once again. Download “Escape Pod” for free via XLR8R. You’ll have to wait until August 7th to pick up the full release (Hush Hush Records), but to hold you over I’ve talked with Kid Smpl about these new tunes and such.

DD First things first, I’m very happy you got accepted into the Red Bull Music Academy. The competition was especially fierce this year.

KS Ya I’m still in a bit of shock! Really excited for it, I think it’ll be a great experience.

DD How do you hope to be challenged by the program?

KS I’ve heard that it’s a non-stop and extremely focused experience, so I’m hoping that it challenges me to push my production to the next level, as well as make a lot of great connections.

 

DD Exciting stuff! Now, our friend Alex Ruder, contacted me about his label’s first release. Hush Hush Records begins with your “Escape Pod” EP. Is this the first time you’ve been asked to create a label’s starting release?

KS Yes, and I was pretty excited to do it. It’s one of my favorite releases, of the one’s I’ve done. The full length album that follows this release is probably my favorite project.

DD I’ve enjoyed this EP more and more with each listen, Especially “Pulse” and that remix by D33J. Alex describes the label as having a “multi-genre aesthetic, elaborating on the world of headphones, late-night travels, intimate encounters and contemplative rides on public transportation.” Do you appreciate these kinds of musical descriptions as opposed to genres?

KS Ya, I do appreciate the descriptions as they’re often not as limiting as genres can be. That particular description is often labeled “Night Bus” now, which is something I’m completely comfortable with, and that Hush Hush also embraces. I like it because the term isn’t necessarily the name of a genre but more of a vibe.

DD Mmm, I think it’s fitting and like you said, not as limiting as genres can be. Last question, your playing at Standard next month (The Baltic Room, 8/10). Have you thought about your set?

KS Ya I’ve thought about my set a bit. I think I’m gonna play some remixes of my own tunes that I’ve been getting in for this “Escape Pod” remix EP. Also, probably some ballroom, jersey club, and a bit of grime. That’s really the dance music that I’m feeling right now.

DD Can’t wait to hear it all, cheers dude!

 

Kid Smpl – Twitter Facebook Soundcloud Tumblr

kidsmpl.com

– Jimi Jaxon

Time to give a VJ major props. Ghostdad ran all over with Porter Robinson for his 30-date Language Tour, showcasing some of the most badass visuals I’ve seen in a while.

DD Hi Ghostdad. Porter Robinson sent me your way via Twitter. How are you doing, and where are you at right now?

GD I’m good! I’m in Brooklyn New York. Just got back from the Language Tour and crashed out for a few days but I’m slowly returning to real life.

DD Was this the first tour you’ve been a part of?

GD This is the first Porter Robinson tour I’ve been a part of. Before that, I was on tour playing music and visuals with my band WIN WIN, and with Spank Rock as one of his backing DJ’s also doing visuals for his show. I’ve toured in the US, Canada, Europe and Australia.

DD Rad. How did you did you hook up with the Language Tour, and what made it unique?

GD Porter and his management saw some of the WIN WIN visuals and commissioned me to make content for his show. They mentioned they were also looking for someone to VJ on his tour and the rest worked out from there. This is the first time I’ve focused just on visuals without performing or DJ’ing on stage at the same time, so I could really fine tune it. The scale of the venues and production were also bigger then the past things I’ve done, which made it a great opportunity to put stuff on a big screen and make it look really good.

DD Talking about big venues and screens is a perfect introduction to EDC Las Vegas 2012. I went with a few buddies and felt that 3 artists brought their best; Afrojack, Feed Me and Porter Robinson. For Porter’s set on Day 3, my friends and I were dumbfounded by the combination of his set and your visuals. One friend was dancing like mad and stopped dead, staring at parts of the show. VJ’s have such an integral role in live environments, especially with electronic music. They are usually in the background, not getting a lot of recognition so I wanna stop and say, rad fucking job!

GD Awww shucks man thanks. Porter definitely brought it musically, I remember him killing it. Festivals can be tough. For the DJ and the VJ I guess in this case. You’re often thrown in with 10 minutes or so to make sure everything is plugged in and works and then someone is like “GO!” and you go. EDC was a surreal experience mostly because of it’s size. It’s probably not as nerve racking as being on stage but looking at the crowd from front of house you could see the tens of thousands of people that were there. Those were some amazing screens and the production designers deserve props on making it look amazing to start with. Also thanks to the guys at @vsquaredlabs for putting me up on the screens, they were running most of the content that day and graciously patched me in. 

DD Now going into these visuals more, how much input did Porter Robinson have on all the imagery? Did you show him a bunch of ideas and bounce it off his thoughts, or did you present it all to him and he was like, “fuck yes”?

GD We had a really good back and forth going for the two months leading up to the tour. I would send batches of ideas and he would come back with notes. We actually found a lot of common ground when looking at our Tumblr feeds for references. Somewhere in the middle I went and did visuals for him at Coachella, which gave me a chance to see some of the stuff I was working on and pick it apart a little more. We also worked with two other video artists who prepared content for the show so I was grabbing their stuff and making it VJ-able during that time as well. 

DD Yah, he seems very involved with all aspects of his presentation as an artist. How would you describe the theme of these visuals? There’s so many themes melding together; video games, anime, Mayan/Egyptian shit, nature and space..

GD I think Porter wanted something that was stylish and artistic without being too serious.  Looking at Tumblr feeds as a pool of ideas contributed a lot, and we definitely follow some blogs that go heavy on the themes you mentioned, as well as gifs and internet memes. I like referencing internet stuff in my visuals because it gives people something to grasp on too. And we might be of a generation where video games and nature and space are all sort of naturally dazzling to us, cuz we grew up paying attention to them so much (or maybe that’s just us nerds ha). It’s good to have some graphics that feel recognizable in the same way Porter plays songs people recognize as sort of arrival points in the set. 

DD Any funny memories from the tour you can share?

GD There were lots of funny times with the crew out there, everyone was awesome to hang with. I can’t think of any specific things off hand I’m still sort of coming out of the blur of playing a show every day for a month. One thing that was funny during the shows was when Porter would change his routine a little bit to mess with me and our lighting designer. On the mixes he did often, sometimes he’d change it by 8 or 16 bars which he knew full well was messing with us. We’d end up launching our cues then have to sort of dial them back and wait for the right moment, and I could see Porter laughing on stage cuz he knew we were scrambling. I think our LD Ben, found a way to shine lights in his face or something to get back at him. Made for some fun unpredictable moments.

DD Haha nice. Where do you go from here?

GD WIN WIN has a new record coming out this fall and we’ve changed our live mode from a DJ/VJ setup to drums, guitar, synths, and live visuals. Very excited for all of that stuff. Here’s our latest single

And we printed some posters that are sort of visual preview.

Plug plug plug haha! I’ll be working on more dates with Porter too, we’re figuring out which shows and festivals make sense to bring a VJ too. You may see some of the elements I made in pre-programmed form at some of his DJ gigs, where projection is available in the meantime. 

DD Well I wish you the best with all that. Thanks for talking time to talk with Disco Droppings.

GD Sure thing, thanks for having me!

Ghostdad – Twitter

djghostdad.com

– Jimi Jaxon

 

Look out for this 3-track release from Eleven8 on July 9th, 2012 via Solace Records. I’ve included previews of “Alone/Remember Me/Scythe” + his mix contribution to the label’s podcast. 

DD Hello Eleven8, how are you feeling?

E8 Heyy Disco Droppings! Yeah very good thanks, hope you’re well too!

DD You’re the second artist from Solace Records that’s been on Disco Droppings (after Clubroot). How does the label encourage you?

E8 I was talking to Tom from Solace recently about the release schedule and that was really encouraging, they have some really strong tracks forthcoming from some great artists.  It’s wicked to see producers like that on a label that are fairly new – and the material is really top notch.

DD Any memorable responses you’ve gotten from fans on your new release, “Alone/Remember Me/Scythe”?

E8 Alone has had some great responses, people have been waiting for that one for quite a while now and it’s great to see people excited about it getting released!  I seem to remember someone after hearing Scythe calling me the “Bin Laden of basslines”.  Made me laugh, then nervous.  That “Pizza Van” has been sitting outside my house for a good week now…

 

 

DD What gets you hyped outside of music? Do these things directly affect your work as an artist?

E8 I get pretty hyped about films plus I’m a bit of a geek so new technology is always fun to keep an eye on haha..  Nature documentaries too, I’m a sucker for them.  I don’t think these things affect directly how I work, but I’m sure they do something haha…

DD How long did it take to feel comfortable playing your own productions alongside other artists in a mix?

E8 That’s a good question!  It took a fair bit of time, in fact it’s only really been the last year and a half or so I’ve been happy with my mixdowns and the tunes themselves to play them out.

The latest mix I’ve done for Solace is pretty much a 50/50 split between my own material and other artists, and DJ sets are about the same ratio now too.

 

DD How do you plan on evolving your style from here?

E8 For a while now I’ve been working at different tempos – anything between 80 and 170, some of which has been more chilled and ambient as opposed to a ‘dancefloor’ approach.  Although the style is similar it’s been interesting pushing and adapting it to new areas.

Eleven8 – Facebook Soundcloud

– Jimi Jaxon 

 

Whatsup! I’m all about Douster today on Disco Droppings. Hop over to Beatport and listen through Douster’s Triassic EP, released in January of this year on Waxploitation Artists. Jeffree’s Volume One also features this producer, with tracks “Pop That Bubble” and “Boom Shaka Laka”. He also has a diverse label called Bebup, look through their Tumblr for information on releases and such. Fresh interview with this talented man below..

DD Hello Douster! What are you doin’ right now?

DOU I’m just about to eat a mad homemade BLT and avocado sandwich, bacon is cooking right now, it’s gonna be a good one. I love to make and eat sandwiches.

DD I absolutely love the energy of your “I Want Your Blood” remix for Seattle’s Mad Rad. I included it in my set at Paradiso Festival over here in Washington last weekend. Did you meet Mad Rad through coming over here to play? Seattle is my home city! 

DOU I met Darwin for the first time in 2008 on a tour with the ZZK guys from Argentina, Since then I try to catch them every time I’m in Seattle. Last time I went there we thought about doing that rmx ep and I worked on it back home.

 

DD The upcoming release on your label Bebup from Nau.lot is being described as “cinematic dub-techno”, sounds fascinating. I listened through his Podcast #4 on the label’s Mixcloud and enjoyed the gritty feel. Is this a peek into the mood of Nau.lot’s new tracks? 

DOU His tracks have that deep stomping techno vibe but the whole textures of his sound make the tracks very cinematic. Most of them remind me of that Moby Dick book..like you’re fighting aginst a gigantic deep sea creature in the middle of a storm. It’s the perfect soundtrack for a post apocalyptic movie.

DD You see certain colors when you hear music. I wish I had that! Have you thought about taking the colors you see in your tracks for a release, and making artwork out of it? Letting us see what you see in a way..

DOU Ahah definitely not but still, my Triassic EP was kinda that way. I was thinking about prehistoric age and the 4 tracks were really into that mood..well, it wasn’t colors, but dinosaurs.

DD In all your travels, which crowds are the most open-minded? Whose down for whatever? 

DOU Drunk crowds are down for whatever, maybe that’s why I like the Belgium crowd a lot.

 

DD I’m very interested in this new EP you’re finishing up. I like those genres you’re going to mess with like french filter house and garage. Are there some specific songs you could mention where you’ve thought, “I’d like to do something with this kind of groove”?

DOU When it comes to filtered house, I’m definitly into the Thomas Bangalter style, “Spinal Scratch”, the whole Roulé catalogue actually. Then I love the soulfull MK vibe, The cut up garage of Todd Terry,  or even late 90’s uk speed garage (BIG FUCKIN TUNE RIGHT THERE). I think I just love the shuffle percussion that comes with all those styles of house, everything doesn’t have to be that straight!

 

 

 

Douster – Twitter Soundcloud Facebook

douster.net

– Jimi Jaxon