Archives for category: Uncategorized

Greetings! Here we have an artist that’s become a regular in my performances lately. I feel like, DÉ DÉ MOUSE has some of the most distinct productions around. There’s nothing quite like this, and it’s a pleasure to call this producer a friend and bring him onto Disco Droppings for a conversation.

DD – What have been the most challenging aspects of learning to produce your own tunes?

DDM – It’s always a series of challenges. However, the big challenge for me was the production of the album “farewell holiday!“. It was very difficult to balance my signature style with oldies music.

DD – What have been the most memorable ways supporters have described your music?

DDM – One and Only.

DD – Do your albums usually take a similar amount of time to create?

DDM – I made “farewell holiday!” over 3 years. I made “be yourself”, “nulife” and “dream you up” in a year. the 1st album took over 4 years. Making an album is always challenge for me. And I wanna take on new challenges every time.

DD – Do you enjoy video games? Have you ever thought about a video game where you make the music? What might that look like?

DDM – I have loved video games since I was a kid. I especially like Metroid, Final Fantasy, Wizardry, Tactics Orga, KOF, Street Fighter and more. I’m currently making a BGM for a game called “World Flipper”. And I’m writing songs for rhythm games such as Beatmania and Dancerush Stardom. I am very pleased that my music is loved by game fans. I love RPGs, so it would be great if I could make the music for RPG.

DD – How would you describe the visual elements of your art? Like the artwork for instance, and other visuals you may incorporate.

DDM – I think of themes and stories with making music. This is very important to me. the artwork is connecting story and music for me. I love abstract art and abstract music of course. However, in the project “DÉ DÉ MOUSE”, It’s depended on the theme of my album to connect story and music.

DD – What is your current production set up? How has it evolved from when you started, and where do you see it heading in the future?

DDM – Ableton Live 11, Steinberg CUBASE 11. I make music just on my macbook only. And I’m working on a macbook speaker (no speakers in my studio). I made music by using a Roland synthesizer and an Akai sampler at the beginning. However, I found it’s very convenient to use a PC for music production to reduce the time of equipment maintenance. I love the evolution of technology and the vintage, so that one day I’ll start making music with both.

DD – Do you have any favorite songs to play on piano that are not your music?

DDM – I’ve used Debussy’s “Clair de Lune” and “Arabesque no.1”. But now I hardly play the piano.

DD – How do you stay motivated?

DDM – I feel every day like I wasted a day if I didn’t make any music. I make music in cafes and restaurants during the day. I also go for walks and cycling.

DD – What would you say to those interested in becoming an artist and/or being more creative and expressive?

DDM – Believe in yourself more than anyone else. And listen to people’s stories. Not everyone needs to be the same. Shape your world.

dedemouse.com

twitter.com/dedemouse

youtube

spotify

– Jimi Jaxon

Hi there! Hope ya’ll are well. I’ve let this blog chill for a bit while I worked on some other areas, and now I have new productions to share. This past summer I collaborated with my good friend WD4D on a track. We brought our vibes together, this one showcasing more of his ideas and production, giving credit where credit is due. What came through is U Kno, a playful hip-hop tune with local remixes enlisted by Sphyramid and OCnotes. The artwork was done by Seattle local Jesse Danger Dyer, the idea being to create a new creature inspired by WD4D’s and my energies combined. Pins celebrating the release are available now through the Care Package Bandcamp. 

Over the last few years I’ve been experimenting more with creating ambient music. This was in a way centered around making background music that has played quietly on my Hollow Earth Radio Disco Droppings shows each Thursday (5PM-7 PST), and going through a personal grieving process about my mother. Recently I felt that enough material was gathered to turn into a release. I used a picture I took right here in Washington on the ferry as the artwork and had my friend Crebenebez master the 4-track release called Ambience. I would say this is the largest original body of music of my own that I have shared so far. Presented on 7 Deadly Records, the label I operate which joins a varied collection of music. This recently was lifted up by Dave Segal over at The Stranger, who named my EP one of the best local releases of 2019.

The same producer who mastered that ambient journey, Crebenebez, followed that up with an adventurous EP One on the Disco Droppings bandcamp. He is out of Vancouver B.C., friend and collaborator with my label mate Working Class, who is featured on 2 tracks. I am super impressed by the way they presented this release to me fully formed, needing zero constructive critiques on the music. I had one small suggestion laying out the artwork done by James Moore, which was for the most part, already realized. Big cheers to everyone involved with that release and Crebenebez for creating tunes with such vibrancy, and for allowing me to release them.

– Jimi Jaxon

ddhollowearthdarkcentertext2-01

IMG_3914

I was stirred with emotions upon viewing this SAM exhibit. I didn’t think leading up I’d be experiencing something like Kehinde Wiley and later proclaim, “It was the greatest art exhibit I may ever see in this lifetime!”. The vibrancy, scale and power emanating from these works just knocked me clean over. I felt empowered, like weights placed on myself and others (subconscious and conscious) for being different were being acknowledged, lifted and transmuted into this majestic “New Republic”.   

IMG_9849IMG_0138

It’s my understanding that we all perceive from different angles. And Wiley ignites a daunting list of perspectives to analyze. From identity to beauty, class, power, wealth, authority and who “fits” where, to name a few. I’ve taken in words from SAM (Seattle Art Museum, host to Wiley’s “A New Republic”, credits for these photos), the Complex Exchange talk with Cristina Orbe, Karen Toering, and Gabriel Teodros at NAAM, friends and Wiley himself. All have been engaging, weaving an ever more intricate web of energy and reaction.

For me, a recurring word that appears when I view these pieces is “blueprint’. One of Websters definitions states, “a detailed plan or program of action” and I quite like that. When I look at many of the 60+ pieces by Wiley at SAM, I take in this grand presentation of humanity. I’m either viewing people in this kind of ideal, celebrated (and natural in ways) form, or a theme gone awry, such as incarceration/confinement and death by devious means. Overall though, the exhibit leans to the positive side in my eyes. The program initiated in many of these works for humanity is one where individuality, love, self worth, strength and teamwork reign supreme.

IMG_2839

For those near Seattle, these are the last few days of the exhibit ending Sunday, May 8th. Tonight (Thursday May 5th) you can get in at half price for the Downtown art walk from 6-9 . Keep your eyes on Wiley online, to see where his galleries will be headed next. And salute to this masterful artist, you and your team have raised the bar.

Kehinde Wiley – Facebook Twitter

kehindewiley.com

– Jimi Jaxon

 

 

artworks-000147339352-cpf3vy-t500x500

 

 

 

MORE TBA

Engine Farm – Soundcloud Bandcamp Facebook

Sphyramid – Soundcloud Facebook

– Jimi Jaxon