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I recently wrote a quick piece on Graze for Bottom Forty, but one feature just isn’t enough. I cannot stay away from this debut Graze EP. So now, I go further into the depths of my admiration here on Disco Droppings. Anyone who follows me knows I’m a die hard lover of XI. He’s joined forces with Adam Marshall, head of the phenomenal label, New Kanada for Graze. As a production pair so far, they’ve brought 6 productions to life .

 

In a rad new interview with Truants, Marshall talked about the idea behind this powerhouse group. After first hearing XI he said..”I heard some of Christian’s (XI) music and I didn’t know what to call it, but it was quite innovative.” Both felt a strong connection to the music each of them represented and produced. With Graze they, “wanted to get a project together to specifically perform live. That was the plan, assuming it all worked. The underlying idea was to get something we could tour, jam and perform live with.” Impressively, their first show was at Mutek 2013 in Montreal.

 

The very deliberate intentions with Graze are perfectly understood by me, after hearing the music. The pieces and structure of each track sound like they can be cut and pasted live with ease; reworked and tweaked into a unique live experience. I can hear Marshall’s techno style in the tracks stable nature, and I can hear some of XI’s signature drums and percussion as well as his alien sonic textures. Stay tuned for a full length Graze release, coming soon..

 

Graze – Twitter Facebook

graze.cc

newkanada.com

– Jimi Jaxon

Event Participant - Performance

About a week after I opened for Bok Bok via Decibel w/ Sounds In Silence (another dB resident DJ), he was over in New York doing this lecture for Red Bull Music Academy. I remember him mentioning a future trip to NY for this presentation, and I’m so pleased with the way it came together. Although I did an in-depth observation of his Night Slugs Infrastructure for Disco Droppings pre-show, I was very laid back with this intriguing man in person. I wasn’t able to go deeper into his mind, and talk about music and the NS aesthetic. Lucky for me, RBMA took care of that, organizing a lecture/interview running a little over an hour.

 

It is a true privilege to hear from Bok Bok in such a lengthy way. You’ll learn about everything from the ideal Night Slugs club environment to the beginnings of the label, the foundational grime influence, new producers to the NS family and the production manifesto for their Club Constructions series. Take notes, Night Slugs & Club Culture 101 commences.

 

Bok Bok – Facebook Soundcloud Twitter

nightslugs.net

redbullmusicacademy.com

– Jimi Jaxon 

 

 

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What’s so impressive about the latest from Kanye West to me, along with Daft Punk’s newest, is their ability to take expectations and rip them to shreds. These people do not owe us anything. They have changed the way this world looks and sounds. They have built their careers around following their own gut, and there’s no way that’s about to change. Yeezus and Random Access Memories sound very different, but the mindset is the same; trust yourself.

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I knew when I heard Kanye West perform “Black Skinhead” on SNL, this was the track Daft Punk was talking about. In their cover feature for Rolling Stone they said,

“We had a combination of live drums and programmed drums going..And Kanye was rapping over it.”

“Not even rapping, more like screaming in this very primal way..”

“He’s radical in the choices he makes..He doesn’t give a fuck.”

 

Daft Punk also said via Mixmag, “”When the first 15-second snippet of ‘Get Lucky’ came out, Kanye came to our studio in Paris and we worked on loads of different ideas together. We’re not sure how many tracks we will have on [his new, forthcoming] album yet.” A look at the credits for Yeezus show that Daft Punk contributed to 4 tracks; “On Sight”, “Black Skinhead”, “I Am A God (Feat. God)” and “Send It Up”. Another artist with his fingerprints on Kanye West’s new masterpiece is Hudson Mohawke. He’s credited on “I Am A God (Feat. God)”, “New Slaves” and “Blood On The Leaves”. There are some more intriguing artists who’ve worked on this new record including Gesaffelstein, Brodinski, Frank Ocean and Lunice. But all these wonderful people aside, this is Kanye West’s vision. It is raw, it is angry and it is not afraid.

In an exclusive interview with The New York Times, Kanye West had a few things to say about Yeezus. He describes it as “visceral, tribal” and when asked if he still feels like an outsider fighting his way in he responds, “No, I don’t think I feel like that anymore. I feel like I don’t want to be inside anymore. Like, I uninvited myself.”

He concludes the interview by saying, “I think that’s a responsibility that I have, to push possibilities, to show people: “This is the level that things could be at.” So when you get something that has the name Kanye West on it, it’s supposed to be pushing the furthest possibilities. I will be the leader of a company that ends up being worth billions of dollars, because I got the answers. I understand culture. I am the nucleus.”

Amen.

Kanye West – Twitter

kanyewest.com

– Jimi Jaxon

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M.I.A. is back bitch. Today she unleashed “Bring The Noize” through Zane Lowe’s show on BBC Radio 1. She’s been having issues getting her new album Matangi out there. Originally scheduled for release in April through Interscope/N.E.E.T. Recordings, it’s been delayed till fall. The frustrated energy comes through strong in this new track. I am patiently awaiting her powerful return. 

M.I.A. – Facebook Twitter Soundcloud

miauk.com

– Jimi Jaxon

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Today marks the second group of artists announced to play Decibel Festival 2013. There are some names that jump out at me, and I want to quickly share their sounds on Disco Droppings. 

DJ RASHAD 

 

KODE9

 

ACTRESS

 

NOSAJ THING

 

MIDLAND 

 

JIMMY EDGAR

 

GOLD PANDA

 

JETS

 

Decibel Festival – Facebook Twitter

dbfestival.com

– Jimi Jaxon