Take it in. If you’d like to support my man, head over to Ganxy and purchase this track for a buck and some change. Now onto the interview..
DD Seazooooooooo. Glad you’re back at Disco Droppings. How are you feeling right now?
SI’m glad to be back myself! I’m feeling good mate, thanks for asking.
DDHappy to share this new track of yours. Will this be part of a new release?
SI was wondering if I should save some tracks “under the hood” so I could release a new EP for later, but I’ve decided to make this as an single instead. I have another finished track just around the corner, but I will wait to release it, until Binarium has lost it’s “heat” ;] Except from that, I think my productions will be on pause for a while now. I’ve got my first live performance in December, so I spend a lot of time of practicing these days. I didn’t know live-performance could be so fun!
DDAre there certain emotions that seem to come out in your music? Whether it’s subconscious or intentional..
SHmm, I have thought about that myself sometimes, but it’s hard to come up with an answer. When I start on a new project, I usually always have an idea of how the atmosphere will feel. I guess this inspiration is based on certain emotions, and my state of mind in that moment. But as the track starts to take shape, I usually end up with something entirely different than what I had in mind. I dunno what feelings that trigger this pattern, but I guess it’s a mix of inspiration, creativity, emotions and that particular state of mind I have when I work on the project.
BDVery simple solution to deciding an artist name: my initials are BD and I was born in 1982.
DDYou’re living in Japan, a place I’d love to DJ at some day. How does your environment influence your work as an artist?
BD To be honest I don’t really feel any direct influence although I’m sure it’s impossible for your environment not to influence your work even subliminally. I guess the biggest aspect about living in Japan that has affected what I’m trying to achieve as an artist is space, which is kind of ironic living so close to Tokyo.
DDYour track “Calenture” for the label Diskotopia is very intriguing! What’s that label like?
BDDiskotopia was started by A Taut Line in Osaka back in 2005 as an events collective. We met and became friends last year and he asked if I’d be interested in developing Diskotopia into a label. The goal with Diskotopia is to release a variety of music regardless of style with a timeless quality and a certain vibe while contributing to global music culture.
DDI’m feeling the artwork of these Diskotopia releases, especially that VHSNITE one :]
BDShaw from Neithercorp has been working and partnered alongside Diskotopia handling artwork and design from Day One. He’s got a really cool, varied aesthetic with the visual aspect of the label that compliments the releases and overall feeling perfectly. You can check out his work athttp://neithercorp.com
DDWhat’s been an especially memorable show for you to play?
BDOne of the last really great nights was in July when Diskotopia was hosting a sub-floor at Eleven in Tokyo. Lone was headlining the night which was cool as well but the vibe, crowd and music selection that we had going was a perfect balance for the kind of night where it was really fun to DJ and just hang out as well.
DDAre there any disciplines that you regularly exercise? Things that help keep you, “in the zone”?
BDA few of these are secret but I definitely like to watch the trailer for Contamination over and over again.
DDArtistic plans going into 2012?
BDQuite a bit going on well into 2012…Projects a little later on I can’t really talk about just yet but January will see the release of a huge Diskotopia compilation that will be available as a limited edition CD in Japan with bonus tracks.
Wasn’t able to see him at Decibel Festival 2011, thanks for returning to Seattle Araabmuzik. Also featuring Party Supplies, Jeremy Ellis and 12th Planet. Better see ya! $7, This show is a steal.
Found this guy through III Cosby’s Soundcloud. I love Acid, this guys got it! Arctic’s offered this free track for you..
DDWhat’s going on in Arctic’s world right now?
ACurrently coming out of one of THE worst hangovers I have ever experienced! Other then that, working a day job and spending all my evenings on production really. Amongst studio time, I have been dj’n here and there and have also started organising the next international booking for a grime night I run here with some friends.
DD I’ve been connecting with III Cosby, head of Car Crash Set lately. We both live in Seattle. What do you enjoy most about your affiliation with the label? What can you say about your forthcoming “Green Lagoon” and “Ollie North” releases?
AThat’s awesome, Cosby really helped launch me as producer, I have the upmost respect for that guy! I guess having the opportunity to be apart of Car Crash amongst so many other producers who influence me is one of the main things I appreciate. The acid sound I tend to make lately really got noticed because of Cos, in particular the ‘Atomicity’ release earlier this year.
Green Lagoon and Ollie North are some tunes I wrote at the start of the year which I kept exclusive to a very close crew of dj’s and producers. I’ve still yet to properly finish them, but figured the tunes are definitely suited towards Car Crash. ‘Ollie North’ in particular gained some attention through Cosby’s radio show, so I guess it only seemed appropriate to have another release through him.
DDThis track “A LITTLE BIT RUDE” is dope! Got that attitude. Any plans for an official release?
ANice one! It’s definitely one of my most popular tunes and so I’d love to see it released at some point next year. Just got to find the right label for it really!
DDHow do you perform live? Do you bring in music from other artists or solely showcase your own productions?
AMost of my sets usually consist of my friends stuff back in the UK and other artists who influence me and my music. I’d say I play more of other peoples tunes then my own, usually starting with some garage, taking it through into the 130bpm world, followed by some acid and then ending with a heap of grime intro’s and vocal tracks. I’ve been a supporter of grime for years and definitely known as a grime DJ here in Australia!
DD If you had a visual element to go along with your songs, what would it look like?
AI’ve always pictured some dope visuals for my tune, ‘Stop Motion’. I could imagine black silhouettes in a synchronized dance to the beat, with beams of colour shooting from the arms and legs. Like a proper trippy dance in a dark box room or something. Makes sense in my head anyways lol.
DDFavorite Acid house song?
A Very hard question! I guess some of the early Prodigy stuff for sure, tunes like Poison. I wouldn’t say they are an influence or anything in my music, but growing up listening to those dudes and hearing their influence amongst many of today’s artists is pretty cool. Loving all the recent sounds by Funkineven, Boddika, etc too…definitely a big influence in my tunes at the moment. Swims is without doubt one of my favourite tunes of the year.