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Lately, I’m either thinking about Machinedrum or talking about his music at least once a day. I am buzzing over his new productions, which only add to my sheer amazement of this artist. The amount of ideas and fresh vision coming out of Travis Stewart is so huge. Some don’t fully understand everything he offers to the world.

This “Eyesdontlie” video astounded my friends and I. What resembles those Roller Coaster Simulator rides carries you through a district of Vapor City. The environment becomes increasingly trippy, kinky and colorful, eventually fading into nothing.

 

In this interview with The Creators Project, Machinedrum talks about the dreams that inspired this new album on Ninja Tune..

“I would kind of be transferred to this same city in my dreams where it felt familiar, even though I knew I’d never been there. In the dream I felt like I knew all the places, I kept seeing the same streets, the same shops and clubs. Same amusement parks and weird little details that I kept noticing were recurring and it really started to freak me out that this kept happening—and it was also happening the first half of the year that I lived in Berlin.

So it started to form this sort of combination architecturally between New York and a bit of Berlin. A sort of old-meets-new sort of architecture. But it was very vast. And I could almost, in the dream, sort of zoom in and see the city for what it was, and kind of get an idea of where I was in the city. But it was crazy that I kept having this dream and it started fading out as I was living in Berlin but I thought it was definitely something I should explore more creatively, there was definitely a reason I was having this dream.”

When you make it out to Decibel Festival 2013 next month, make sure you experience the world debut of Vapor City Live on Friday, September 27th @ Showbox Market. It’s a part of the What The Festival Showcase with additional performances from XXYYXX, Giraffage and Timeboy (visuals by Zach Walker).

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Vapor City will be released on September 30th

Machinedrum – Twitter Facebook Soundcloud

machinedrum.net

– Jimi Jaxon

disclosure-4.25.2013

 

I have a lot running through my head right now. It’s a hectic time. Part of me wants to stay anxious, thinking of all these possible scenarios, wondering if everything will turn out alright. This Essential Mix from Disclosure coaxes me towards another mindset, another option. As I sit in rush hour traffic on my way to work, I can’t help but let go. Let the music lead..

– Jimi Jaxon

a3567574645_10Back in May 2012, 7 Deadly Records presented its fourth release; the pristine “Flush” single from Norwegian producer, Seazo. From then till a couple months ago, I let 7 Deadly sleep. As head of the label I wanted to invest time into the management and execution of future releases when I was creatively, and mentally prepared. It felt right reconnecting with Pressure Suit (Greg Campbell), an individual that I’ve known for several years. Ambienz, and the upcoming 4-track EP (8.24 via Bandcamp), are older productions that I am dusting off and giving a proper release.

Where Ambienz Pt. 1 & 2 are more spacious productions, the EP will demonstrate a sharper edge. “tChipz” is a journey through digital space, and into a blippy, transcendent reality. “Glikq” is more of a slow motion groove, still in the dreamy outer-space realm. My recent exclusive mix for Bottom Forty featured “PRSRST”, which is also on the EP. The release ends with a track called “Injin”, drifiting away into the far reaches of the universe. I’m challenging myself to avoid listing genres as much as possible, as I feel the comparisons don’t do Pressure Suit’s unique identity justice.

If you want to come celebrate, I am throwing a release party at Vermillion on August 24th (FB Event). It will be presented by 7 Deadly Records and the Structure monthly, with a live audio/visual set from Pressure Suit, and DJ sets from Tremel and myself.

Pressure Suit – Soundcloud

7 Deadly Records – Vimeo Soundcloud Bandcamp

Huge thanks to Stephanie Battershell for the wonderful poster design.

Jimi Jaxon - 7 Deadly Release Party Poster Small– Jimi Jaxon

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I think Bok Bok and the Night Slugs crew nailed it with these new Club Constructions releases. So many good things to say! First off we have Helix, Georgia based producer of Club Constructions Vol. 4. His cold, metallic, minimal production style is brilliant here. Deceivingly simple, highly effective music that will dirty up any set in the best way. “Track Titled 1” reminds of Daft Punk’s Alive 1997, their tour around Homework. There’s a part, starting to build around 13 minutes with similar chord stabs.

 

 

Hysterics unleashed Club Constructions Vol. 5 yesterday, and the stripped back, industrial rave of the future continues. Girl Unit’s new alias is manacing! I hope the Night Slugs are ushering in a time for this brand of sinister Techno. The label’s description of the release clues you into the production process, “The three cuts on this volume are the result of an experimental production processes, incorporating tape feedback, raw drums punched in manually and percussive parts that are allowed to take unusual lead roles….The resulting recordings are intricate but highly robust rhythm trax.”

 

 

I advise you to bump his new mix for Dis Magazine

I really feel like this, along with the Helix release are lighting the way for dance music of the future. We need things to be more primal, step back from the forced euphoria, and just work that rhythm and bass.

Helix – Soundcloud Twitter

Hysterics – Twitter

nightslugs.net

– Jimi Jaxon

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My friend Astronomar is wielding monstrous sonic energy with his recent productions. I’m buzzin’ off these recent promos from Marlon and his Main Course label. After some time apart, we’ve reconnected and here’s our conversation. See how he’s doin’ in his new home of LA, the mindset behind some of his tracks and the inner-workings of the super-rad Main Course label. 

 

 

DD Whatsup man? It’s been exactly a year since I had you on Disco Droppings. How are you doing?

AST I’m doing very well thank you! Hard to believe a whole year has passed!

DD Originally from Alaska, we met during your time in Seattle where I’m still at. Your now in L.A., and I’m happy the Emerald City is part of your list of hometowns. How has your most recent move impacted your life?

AST Yeah man I love Seattle! Still come to visit and/or DJ relatively frequently. Being in LA is amazing. Creative energy is through the roof, and it’s so easy to feel inspired.

 

DD The new tracks of yours that first perked my ears up were Like This / Pay Attention. These two sit between a few styles in their own distinct and fun way. Equally playful and demanding. To me, you are a breath of fresh air to the dance community and a formidable producer/DJ coming up. It doesn’t surprise me that your tracks have sparked the interest of DJ’s playing clubs and festivals all over. What was your intention with this release? These tracks seem perfectly made for the environments I mentioned above.

AST Thanks dude happy you like them! Ya I kind of imagine them fitting perfectly somewhere in the middle of a banging club set. Not over the top face melters nor are they very deep; rather something wide & hopefully groovy enough to help people get loose and prepared for a more demanding set of tracks.

DD I think “Untrapped” is a brilliant little term and you really nailed these 3 remixes for your self-released Untrapped Vol. 2. My favorite is your edit of Djemba Djemba’s “Stahp”, really kool! These all seem very fun to put together. What’s your mindset like in the studio? Is a high fun factor something you aim for? I keep coming back to this theme of your productions being colorful and also filled with attitude.

AST I really enjoy making edits! There is so much inspiring music coming out all the time I can’t help but want to ruin them, haha. The whole untrapped thing started from liking what was happening in EDM trap, and  I wanted to incorporate those into house paced sets. So the mindset is really to destroy/rebuild while still respecting the original piece, as well as pushing my personal genre boundaries. For Untrapped 2 I made an old school jungle edit of DJ Fresh VS Diplo “Earthquake”. I sent it to Diplo, then a couple days later I got an email chain back from Diplo with Ministry Of Sound guys saying they wanted to do something with it. I doubt anyone would ever expect me to make a jungle edit of anything, but it was a personally enjoyable musical exercise and to have it be embraced is pretty rewarding.

 

DD One thing I notice in a lot of interviews are the same questions being thrown around like, “where does your name come from?” I like that your playing with people a bit, based on these different responses you’ve given to different people. No question there, I just think it’s funny.

AST f you want to know where my music name comes from its in a different interview lol!

DD I think we are kindred spirits in a few ways, one of them being that we both operate labels. You now have Main Course; which is co-run by Neoteric and Bot. I relate to your guy’s approach of getting good music out there, regardless of genre. How is the work load split in the running of Main Course? And how has this area of management improved other areas of your artist world?

AST Main Course is awesome! I run it with two guys I have great respect and admiration for. There are very few clear lines as to where the duties are split; we all help where we can, when we can, and make decisions on a 3-way basis most of the time. My role is a bit of a mover & shaker on the ground, listening to lots of promos and talking with the artists whom naturally grow into friends (if they aren’t already). But I feel like working with a lot of the incoming music has helped me listen much deeper than I used to, and has helped me give clearer and unbiased feedback. Then, I turn that same ear to my own productions.

 

DD How was your trip to EDC Vegas 2013? I went in 2011 and 2012 and I wish I could’ve seen you at that time!

AST EDC was incredible!! was unreal and hope to make it back to play again in the future.

DD I’d say you are a highly passionate and motivated individual. Are there reminders or pieces of wisdom you use to stay on your desired path?

AST Ayye I appreciate that! I am just grateful that my output is appreciated & realized. Any success no matter how inconvenient is one worth pursuing. Nourish the vibes where you can, shake the hands and recycle the cans.

 

Astronomar – Facebook Twitter Soundcloud 

maincourse.me

– Jimi Jaxon